Moche portraits from ancient Peru
著者
書誌事項
Moche portraits from ancient Peru
(Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture)
University of Texas Press, 2004
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 173-176) and index
内容説明・目次
内容説明
Of all the ancient civilizations that flourished in the Americas, only one perfected true portraiture of living people and produced it in quantity-the Moche who inhabited the north coast of Peru between approximately AD 100 and 800. Using the medium of three-dimensional ceramic vessels that could have contained liquid, Moche artisans typically formed the heads of the individuals they wished to portray, though sometimes they presented full figures with realistic portrait faces. Depicting an astonishing range of physical types, these portraits now allow us to meet Moche people who lived more than 1,500 years ago and to sense the nuances of their individual personalities.
This pathfinding book presents the first wide-ranging, systematic study of the Moche portraits. Drawing on more than 900 examples from museums and private collections around the world-some 300 of which are illustrated here in full color-Christopher Donnan documents how the portrait tradition evolved, how the portraits were produced and distributed, who they portrayed, why they were made, and how they were used in Moche society. His analysis is supported by extensive archaeological evidence, which provides the context for portraits found in Moche tombs and midden deposits, as well as useful information for identifying the headdresses and ornaments worn by the individuals portrayed.
目次
Preface
Chapter 1: Introduction
Chapter 2: Evolution and Distribution of Portraits
Chapter 3: How Portraits Were Made
Chapter 4: Headdresses
Chapter 5: Ornamentation
Chapter 6: Multiple Portraits of Individuals
Chapter 7: Warriors and Captives
Chapter 8: Individuals Portrayed at Different Ages
Chapter 9: Observations and Conclusions
Notes
References Cited
Sources of Illustrations
Index
「Nielsen BookData」 より