An artistic exile : a life of Feng Zikai (1898-1975)
著者
書誌事項
An artistic exile : a life of Feng Zikai (1898-1975)
（Asia : local studies/global themes, 6）（A Philip E. Lilienthal book）
University of California Press, c2002
大学図書館所蔵 件 / 全4件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 433-459) and index
内容説明・目次
内容説明
This engrossing book, a brilliant blend of biography and criticism, tells the story of Feng Zikai (1898-1975), one of the most gifted and important artists to emerge from the politically tumultuous decades of the 1920s and 1930s. Barme provides a closely woven parallel history, that of the life of writer-artist Feng, who was also an essayist and a translator, and that of China's turbulent twentieth century. He investigates Feng Zikai's aesthetic vision, its development, and how it relates to traditional and contemporary Chinese cultural values and debates. Although Feng was known for his so-called casual drawings, he was reluctant to classify his art. According to Barme, much of his writing and painting was rooted in a philosophy of self-expression. Difficult to position in relation to existing Chinese political and social nomenclature, Feng remains, to a large extent, an enigma. He was sympathetic to the average person and the impoverished peasant, yet he was a romantic, and often identified with the increasingly politicized intelligentsia. A devout Buddhist, he was a close observer of nature and children, and while his art appeared gentle, it often carried a strong message.
Much has been written about Feng Zikai, a figure who has become popular among elite and mass audiences in the Chinese world once more, but no other work has examined his place among May Fourth writers and intellectuals nor his position within the context of China's artistic, religious, and literary tradition. An Artistic Exile moves straight to the heart of debates surrounding modernization, religion, science, the essence of a tradition in an age of colonial modernity, and the ethos of political and social thought in twentieth-century China.
目次
Acknowledgments Introduction 1. Taking Nature as Master 2. Journey to the East 3. The Artist and His Epithet 4. New Paintings for Old Poems 5. The Cult of the Child 6. Protecting Life and Preserving the Self 7. Marketplace and Mountains 8. A Chinese Perspective 9. The Artist Liberated 10. Belated Blossoming Epilogue: The Art of Exile Notes Bibliography Index
「Nielsen BookData」 より