Umberto Eco

著者

書誌事項

Umberto Eco

edited by Mike Gane and Nicholas Gane

（Sage masters of modern social thought）

Sage, 2005

  • : set
  • v. 1
  • v. 2
  • v. 3

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注記

Includes bibliographical references

内容説明・目次

内容説明

Umberto Eco is arguably best known for his novel The Name of the Rose yet there is much more to him than simply being an exemplary novelist. Semiotician, literary and media critic, philosopher and historian, Umberto Eco is one of the greatest and most original thinkers working today. He has contributed to many fields and is one of a handful of writers who can claim to be a key public intellectual in Europe. This has made it extraordinarily difficult for commentators to place him in the Western tradition of social thought. This is especially so, because there is a playful quality in his work, exemplified above all by his use of skills and techniques from semiotics, the philosophy of language, medieval life and thought and aesthetics and techniques that he employed to great affect in The Name of the Rose. He has also made seminal contributions in thinking on postmodern developments in culture and epistemology. This collection provides an unrivalled overview of his writings and includes a selection from considerations of his contribution to semiotics, literary theory, philosophy of language, the analysis of fiction and narratives, his novels, his critiques of mass culture and communication and his contributions to the theory of laughter, politics and ethics. The result is the most complete assessment of Eco's contribution and its impact on social, cultural and critical thought. Mike Gane is Professor of Sociology at the University of Loughborough; Nicholas Gane is Senior Lecturer in Sociology and Communications at Brunel University, London.

目次

VOLUME ONE PART ONE: INTRODUCTION: ECO AND SELECTED OTHER WRITERS Critical versus Fatal Theory - Norma Bouchard Umberto Eco contra Jean Baudrillard Italo Calvino and Umberto Eco - Peter Bondanella Postmodern Masters Steeled in the School of Old Acquinas - Jean-Pierre Rondas Umberto Eco on the Shoulders of Edgar de Bruyn PART TWO: SEMIOTICS Reeling in the Signs - Scott Simpkins Unlimited Semiosis and the Agenda of Literary Semiotics The Predicament of Semiotics - Mieke Bal The Limits of Semiotics - Patrick Colm Hogan The Complexity of the Sign-Giving Process - Flip G Droste In the Wake of C S Pierce and U Eco Is Representation Really in Crisis? - Tarja Knuuttila PART THREE: NARRATION, FORM, INTERPRETATION, READING Eco and His Model Reader - Lubomir Dolezel Umberto Eco - William Ray The Reading Process as Code-Structure Fragments and Order - Oscar S Kenshur Two Modern Theories of Discontinuous Form The Pragmatist's Progress - Richard Rorty Marks and Noises and Interpretations - Peter Lamarque PART FOUR: LITERARY CRITICISM AND TEXTUAL ANALYSES Eco and Calvino Reading Dante - Guy P Raffa Umberto Eco, Semiotics and the Merchant's Tale - Carolyn P Collette Open and Closed Books - John Simons A Semiotic Approach to the History of Elizabethan and Jacobean Popular Romance The Name of the Horse - Robert L Caserio Hard Times, Semiotics and the Supernatural Who is the Model Reader of Delibes's Cinco Horas Con Mario? - Ann Davies Quincunxial Sherlockholmesing in 'Grace' - Corinna Del Greco Lobner On the Contribution of Umberto Eco to Joyce Criticism - Herman van der Heide Reading Bond - Tony Bennett and Janet Woollacott Open and Closed Texts - Allan Luke The Ideological/Semantic Analysis of Textbook Narratives Eco's Stopwatch and Narrative Time in Puig, Jean-Renaud Camus and Calvino - Heidi Strebel PART FIVE: THEORETICAL FICTIONS: INTRODUCING ECO'S NOVELS Walking and Swimming with Umberto Eco - Guy P Raffa Mapping the Complexity in the Fiction of Umberto Eco - Thomas J Rice VOLUME TWO PART SIX: THE NAME OF THE ROSE A: Semiotic Analysis Semiotics and Conjecture in Il nome della rosa - JoAnn Cannon Eco's Echoes - David Richter Semiotic Theory and Detective Practice in The Name of the Rose Semiotics narrated: Umberto Eco's The Name of the Rose - Werner H llen Sign and De-Sign: Medieval and Modern Semiotics - Helen Bennett B: Textual Strategies Ec(h)o in Fabula - Walter Stephens Naming the Rose - Steven Sallis Readers and Codes in Umberto Eco's Novel A Novel, Which Is a Machine for Generating Interpretations - Elizabeth Dipple Umberto Eco and The Name of the Rose Palimpsests and Laughter - Rocco Capozzi The Dialogical Pleasure of Unlimited Intertextuality in The Name of the Rose C: The Historical Novel The Invisible Worm - Carl Rubino Ancients and Moderns in The Name of the Rose Meta-Psychomachia in Eco's The Name of the Rose - Laurel Brasswell Umberto Eco, Semiotics and Medieval Thought - Adele Haft, Jane White and Robert White 'Eco, Sign Theory and the Middle Ages', chapter 1 of Naming the Rose - Theresa Coletti Eco, Medieval Sign and Modern Theory D: Maps and Mazes The Architecture of Umberto Eco's The Name of the Rose - D B Jewson Maps, Mazes and Monsters - Adele Haft Aspects of the Labyrinth - Rochelle Sibley E: Gender and Difference Resurrecting the Feminine in The Name of the Rose - Thomas Frentz Love and Difference in The Name of the Rose - Enzo Neppi Gaudy Rose - Teresa De Lauretis Eco and Narcissism F: Postmodern Themes The Name of the Rose as a Postmodern Novel - Mark Parker The (post)modernism of The Name of the Rose - Brian McHale G: Other Authors and Novels Closure and Infinite Semiosis in Mann's Doctor Faustus and Eco's The Name of the Rose - Evelyn Cobley The Mirror and Encyclopedia - Christine de Laihacar Borgesian Codes in Umberto Eco's The Name of the Rose The Literature of Appropriation - Deborah Parker Eco's Use of Borges in Il nome della rosa Jorge Borges, Author of The Name of the Rose - Leo Corry Eco's Reconstruction of Aristotle's Theory of Comedy in The Name of the Rose - Leon Golden VOLUME THREE PART EIGHT: FOUCAULT'S PENDULUM Pendulum Diary - William Weaver Eco's Echoes - Linda Hutcheon Ironizing the (Post)modern The Demonics of 'True' Belief - Victoria V. Vernon Treacherous Texts, Blasphemous Interpretations, and Murderous Readers The Imaginary Universe of Umberto Eco - JoAnn Cannon A Reading of Foucault's Pendulum Critifictional Epistemes in Contemporary Literature - Norma Bouchard The Case of Foucault's Pendulum Foucault's Pendulum and the Text of Theory - Robert Phiddian PART EIGHT: OTHER NOVELS Umberto Eco's L'isola del giorno prima - Norma Bouchard Postmodern Theory and Fictional Praxis Baroque Shores of Eco's The Island of the Day Before - Jos[ac]e Sanjin[ac]es The Island of the Day Before - Joris Vlasselaers A Quest for the Semiotic Construction of a Self Umberto Eco's Baudolino and the Language of Monsters - Cristina Farronato PART NINE: CULTURE, COMMUNICATION AND MEDIA Umberto Eco's Model of Communication - Gary Genosko A Juxtapostion of Two Abductions for Studying Communication and Culture - Virginia H. Fry Umberto Eco - David Robey The Theory and Practice of the Media Reconceptualizing the Encoding and Decoding 'Moments' of the Mass Communication Process - Virgina Fry and Donald H Fry Post-Picture and Ec(h)o Effects - Nick Perry Eco's Discovery of America or Travelling the Postmodern Way - Vanna Motta Between Shelves and Columns - Maurizio Rebandengo Scattered Fragments of a Semiotic Discourse PART TEN: GENDER Semiosis and Experience - Teresa de Lauretis Eco, Oedipus and the 'View' from the University - Mary Wilson Carpenter PART ELEVEN: HUMOUR A Theory of Medieval Laughter - Cristina Farronatto The Comic, Humour and Wit Eco Ridens - Liberat Santoro-Brienza PART TWELVE: PHILOSOPHY The Riddle of Umberto Eco - Bernard Williams Professor Whatever - Simon Blackburn PART THIRTEEN: ETHICS Religion and Ethics - Arnold Burns The Eco-Martini Exchange Conspiracy Theories and Literary Ethics - Svetlana Buym Umberto Eco, Danilo Kis and the Protocols of Zion

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