No enemy : a tale of reconstruction
著者
書誌事項
No enemy : a tale of reconstruction
(The millenium Ford)
Carcanet, 2002
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Carcanet fiction
Originally published: New York : The Macaulay Company, 1929
Includes texts in French
内容説明・目次
内容説明
'No Enemy is Ford Madox Ford's little-known First World War novel, musing and reflective, published for the first time in Britain by Carcanet and ably edited by Paul Skinner. Congratulations to them both.' Alan Judd, Sunday Telegraph, Sunday 30th June 2002 No Enemy is one of Ford Madox Ford's most fascinating books and an act of witness to the First World War. Ford left the army in 1919 to settle in rural Sussex with the young Australian painter, Sheila Bowen. Suffering from shell-shock and erratic memory, he struggled to set down his experiences of the previous four years. Ford's protagonist is the poet Gringoire, who has survived the war and represents aspects of the writer. With his fictional frame in place, Ford created the distance necessary to confront, as Paul Skinner writes, the pains of 'having lost friends, of being terrified, afraid of going mad, afraid of dying'. No Enemy is often funny, but also profoundly moving, because Ford so clearly recovered his artistic strength in and through the writing of it.
In his introduction, Paul Skinner explores the world in which No Enemy was written, and considers how, by reinventing himself, Ford also reivented the strengths of his own writing.
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