The searchers : essays and reflections on John Ford's classic western
著者
書誌事項
The searchers : essays and reflections on John Ford's classic western
(Contemporary approaches to film and television series)
Wayne State University Press, c2004
- pbk. : alk. paper
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 345-350) and index
内容説明・目次
内容説明
In many ways a traditional western, ""The Searchers"" (1956) is considered by critics to be one of the greatest Hollywood films, made by the most influential of western directors. But John Ford's classic work, in its complexity and ambiguity, was a product of post-World War II American culture and sparked a deconstruction of the western film myth by looking unblinkingly at white racism and violence and suggesting its social and psychological origins. The film tells the story of the kidnapping of the niece of Ethan Edwards (John Wayne) by Comanche Indians and Edward's long search to find her - ultimately not to rescue her, since he finds her racially and sexually violated. This text brings historians and film scholars together to cover the major critical issues of the film as seen through a contemporary prism. It also contains a sustained reaction to the film by Native Americans. The essays explore a range of topics: from John Wayne's grim character of Ethan Edwards, to the actual history of Indian captivity on the southern Plains, as well as the role of the film's music, setting and mythic structure - all of which should help the reader to understand what makes ""The Searchers"" such an enduring work.
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