Shelley's eye : travel writing and aesthetic vision
Author(s)
Bibliographic Information
Shelley's eye : travel writing and aesthetic vision
(Nineteenth century series)
Ashgate, c2005
- : hbk
Available at 11 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [237]-249) and index
Contents of Works
- 'The sun rises over France' : post-Napoleonic travellers' Europe
- 'Citizens of the world' : dislocated vision in Alastor
- 'The raptures of travelers' : writing Mont Blanc
- 'Relics of antiquity' : Shelley's classical tour through Italy
- 'The emblem of Italy' : two-fold vision in Prometheus unbound
- 'Empire o'er the unborn world' : Shelley's Hellas
Description and Table of Contents
Description
Percy Bysshe Shelley joined the deluge of sightseers that poured onto the Continent after Napoleon's defeat in 1814, and over the next eight years Shelley followed major travelling trends, visiting Switzerland in 1816 and Italy from 1818. Shelley's Eye is the first study to address Shelley's participation in the travel culture of Post-Napoleonic Europe, and the first to consider Shelley as an important travel writer in his own right. This book is informed by original research on a wide range of period travel writings, including Mary Shelley and Shelley's neglected collaboration, History of a Six Weeks' Tour (1817), in which 'Mont Blanc' first appeared. Fully responsive to the culture of travel, Shelley's travel prose and poetry form fascinating conversations with major Romantic travellers like Byron, Wollstonecraft, and Wordsworth, as well as lesser-known but widely read travel writers of the day, including Morris Birkbeck, Charlotte Eaton, and John Chetwode Eustace. In this provocative study, Benjamin Colbert demonstrates how the Grand Tour remains a vital cultural metaphor for Shelley and his contemporaries, under pressure from mass travel and popular culture. Shelley's travel prose and 'visionary' poetry explore motives of perception underlying travel discourse and posit an authentic 'aesthetic vision' that reconfigures social, historical, and political meanings of 'sights' from the perspective of an ideal tourist-observer. Shelley's Eye offers a new perspective on Shelley's intellectual history. It is also a timely and important contribution to recent interdisciplinary scholarship that aims to re-evaluate Romantic idealism in the context of physical, experiential, or material cultural practices.
Table of Contents
- Contents: Introduction
- 'The sun rises over France': post-Napoleonic travellers' Europe
- 'Citizens of the world': dislocated vision in Alastor
- 'The raptures of travellers': writing Mont Blanc
- 'Relics of antiquity': Shelley's classical tour through Italy
- 'The emblem of Italy': two-fold vision in Prometheus Unbound
- 'Empire o'er the unborn world': Shelley's Hellas
- Bibliography
- Index.
by "Nielsen BookData"