CODE : collaborative ownership and the digital economy
著者
書誌事項
CODE : collaborative ownership and the digital economy
（Leonardo books / Roger F. Malina, series editor）
MIT Press, c2005
- : hc
- : pbk
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注記
Includes bibliographical references and index
収録内容
- Why collaboration is important (again) / Rishab Aiyer Ghosh
- Imagined collectivities and multiple authorship / Marilyn Strathern
- Modes of creativity and the register of ownership / James Leach
- Some properties of culture and persons / Fred Myers
- Square pegs in round holes? cultural production, intellectual property frameworks, and discourses of power / Boatema Boateng
- Who got left our of the property grab again : oral traditions, indigenous rights, and valuable old knowledge / Anthony Seeger
- From keeping "nature's secrets" to the institutionalization of "open science" / Paul A. David
- Benefit-sharing : experiments in governance / Cori Hayden
- Trust among the algorithms : ownership, identity, and the collaborative stewardship of information / Christopher Kelty
- Cooking-pot markets and balanced value flows / Rishab Aiyer Ghosh
- Coase's penguin, or, Linux and the nature of the firm / Yochai Benkler
- Paying for public goods / James Love and Tim Hubbard
- Fencing off ideas : enclosure and the disappearance of the public domain / James Boyle
- A renaissance of the commons : how the new sciences and the internet are framing a new global identity and order / John Clippinger and David Bollier
- Positive intellectual rights and information exchanges / Phillipe Aigrain
- Copyright and globalization in the age of computer networks / Richard Stallman
内容説明・目次
- 巻冊次
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: hc ISBN 9780262072601
内容説明
Open source software is considered by many to be a novelty and the open source movement a revolution. Yet the collaborative creation of knowledge has gone on for as long as humans have been able to communicate. Code looks at the collaborative model of creativity - with examples ranging from collective ownership in indigenous societies to free software, academic science, and the human genome project - and finds it an alternative to proprietary frameworks for creativity based on strong intellectual property rights. Intellectual property rights, argues Rishab Ghosh in his introduction, were ostensibly developed to increase creativity; but today, policy decisions that treat knowledge and art as if they were physical forms of property actually threaten to decrease creativity, limit public access to creativity, and discourage collaborative creativity. "Newton should have had to pay a license fee before being allowed even to see how tall the 'shoulders of giants' were, let alone to stand upon them," he writes.
The contributors to Code, from such diverse fields as economics, anthropology, law, and software development, examine collaborative creativity from a variety of perspectives, looking at new and old forms of creative collaboration and the mechanisms emerging to study them. Discussing the philosophically resonant issues of ownership, property, and the commons, they ask if the increasing application of the language of property rights to knowledge and creativity constitutes a second enclosure movement - or if the worldwide acclaim for free software signifies a renaissance of the commons. Two concluding chapters offer concrete possibilities for both alternatives, with one proposing the establishment of "positive intellectual rights" to information and another issuing a warning against the threats to networked knowledge posed by globalisation.
- 巻冊次
-
: pbk ISBN 9780262572361
内容説明
How "open source" creative collaboration provides an alternative to commercially driven policies determining intellectual property rights.
Open source software is considered by many to be a novelty and the open source movement a revolution. Yet the collaborative creation of knowledge has gone on for as long as humans have been able to communicate. CODE looks at the collaborative model of creativity-with examples ranging from collective ownership in indigenous societies to free software, academic science, and the human genome project-and finds it an alternative to proprietary frameworks for creativity based on strong intellectual property rights.
Intellectual property rights, argues Rishab Ghosh in his introduction, were ostensibly developed to increase creativity; but today, policy decisions that treat knowledge and art as if they were physical forms of property actually threaten to decrease creativity, limit public access to creativity, and discourage collaborative creativity. "Newton should have had to pay a license fee before being allowed even to see how tall the 'shoulders of giants' were, let alone to stand upon them," he writes.
The contributors to CODE, from such diverse fields as economics, anthropology, law, and software development, examine collaborative creativity from a variety of perspectives, looking at new and old forms of creative collaboration and the mechanisms emerging to study them. Discussing the philosophically resonant issues of ownership, property, and the commons, they ask if the increasing application of the language of property rights to knowledge and creativity constitutes a second enclosure movement-or if the worldwide acclaim for free software signifies a renaissance of the commons. Two concluding chapters offer concrete possibilities for both alternatives, with one proposing the establishment of "positive intellectual rights" to information and another issuing a warning against the threats to networked knowledge posed by globalization.
Contributors
Philippe Aigrain, Yochai Benkler, Boatema Boateng, David Bollier, James Boyle, John Henry Clippinger, Paul Allen David, Rishab Aiyer Ghosh, Cori Hayden, Tim Hubbard, Christopher Kelty, James Leach, James Love, Fred Meyers, Anthony Seeger, Richard Stallman, Marilyn Strathern
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