Japan's love-hate relationship with the West
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書誌事項
Japan's love-hate relationship with the West
Global Oriental, 2005
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Introductory chapters cover Japan's historic love-hate relationship with China, then an in-depth analysis of three themes: Japan's turn to the West; Japan's return to the East; from war to peace. The book explains why Japanese modern writers oscillate between East and West.
目次
- Preface
- Part I: Japan's Love-Hate Relationship with China
- 1-1 Chinese Culture and Japanese Identity: Traces of Bai Ju-yi in a Peripheral Country
- 1-2 National Poetics and National Identity
- 1-3 The Awakening of Asia
- Part II: Japan's Turn to the West
- 2-1 The Meaning of Dutch Studies in Tokugawa Japan
- 2-2 Japanese Experience Abroad
- 2-3 Teachers of 'Arts and Sciences': Foreigners in Meiji Government Employ
- 2-4 First Translations from Western Literature
- 2-5 Reaction against 'Slavish' Westernization
- 2-6 Rokumeikan: the Europeanization Fever in Comparative Perspective
- 2-7 Benjamin Franklin and Fukuzawa Yukichi: Two Autobiographies Compared
- Part III: Return to the East
- 3-1 Yearning for the West and Return to the East: Patterns of Japanese and Chinese Intellectuals
- 3-2 Uchimura Kanzo and America: Reflections on the Psychological Structure of Anti-Americanism
- 3-3 The Yellow Peril and the White Peril: The Views of Anatole France
- 3-4 Natsume So-seki and His Teacher James Murdoch: Their Opposite Views on the Modernization of Japan
- Part IV: From War to Peace
- 4-1 Signals of Peace Not Received: Premier Suzuki Kantaro's Efforts to End the Pacific War
- 4-2 R. H. Blyth and Hirohito's Denial of the 'Divine' Nature of the Japanese Emperor
- 4-3 Prisoners in Burma
- 4-4 The Image of Former Enemies in Takeyama Michio's Harp of Burma (1948)
- Part V: Attempt at Cross-Cultural Elucidation
- 5-1 Aesop's Fables and their Japanese Translations: An Attempt at Comparative Work Ethics
- 5-2 The Divine Comedy and the No Plays of Japan: An Attempt at Reciprocal Elucidation
- 5-3 Dante's Inferno from a Japanese Perspective
- 5-4 How to Go into Inferno in the Literatures of East and West: Brecht's Adaptations of the Japanese No Play Taniko
- 5-5 Arthur Waley's Aesthetics in Translating the No Play Hatsuyuki
- 5-6 Love in the West, Friendship in the East: Poetical Predilections as Perceived by Arthur Waley and Natsume Soseki
- Part VI: Japanese Writers between East and West
- 6-1 Mori Ogai's Ambivalent Relationship with his Mother as Evoked in his Later Historical Works
- 6-2 Intellectual Loneliness or Intellectual Companionship: Portraits of a Foreign Teacher by Soseki, E.V. Lucas and Lu Xun
- 6-3 The Poet-Sculptor Takamura Kotaro's Love-Hate Relationship with the West
- 6-4 Those Who Understand mono no aware and Those Who Do Not: Human Capacity to Be Affected by Things of Nature in Kawabata's The Sound of the Mountain and Hemon's Maria Chapdelaine
- 6-5 Changing Appreciations of Japanese Literature: Basil Hall Chamberlain versus Arthur Waley
- Postscript
- Index
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