Setting the record straight : a material history of classical recording
著者
書誌事項
Setting the record straight : a material history of classical recording
（Music culture）
Wesleyan University Press, c2004
- : cloth
大学図書館所蔵 全2件
注記
Bibliography: p. 275-300
Includes index
収録内容
- Playing by the book : toward a textual theory of the phonograph
- Disconcerting music : performers and composers on the record
- The best seat in the house : the domestication of the concert hall
- Creating the right impression : an iconography of record covers
- Off the record : some notes on the sleeve
- Just for the record : the narrative architecture of gramophone magazines
- Compact discourse : the review of the Gramophone
- Keeping records in their place : collections, catalogs, libraries, and societies
- Coda : the end of the record
内容説明・目次
内容説明
Record albums are more than records; they include covers and liner notes, catalogs, magazines, and advertisements. In this fascinating study of the materials that surround LPs and CDs, Colin Symes undertakes a cultural history of the record, looking specifically at the way the phonograph helped democratize classical music by enabling it to be heard at home, away from the concert hall. Symes argues that the listening habits associated with classical records and recording were produced and naturalized through a magazine culture, which conveyed the idea that collecting and listening to records were legitimate pastimes for the general public. The first chapter lays out a textual theory of the phonograph and compact disc, while subsequent chapters look critically and historically at the different components of the recording process: covers and cover notes, the rhetoric of the record review, the influence of recording on performance, the domestication of the concert hall, advertising in the record industry, and even the architecture of record shops. Symes's path-breaking history will engage anyone with an interest in classical music and recording.
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