Performing medieval narrative
著者
書誌事項
Performing medieval narrative
D.S. Brewer, 2005
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Summary: "A survey of an investigation into the important question of whether or not medieval narrative was designed for performance"--Provided by publisher
Includes bibliographical references and index
HTTP:URL=http://www.loc.gov/catdir/toc/ecip051/2004022272.html Information=Table of contents
内容説明・目次
内容説明
Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance.
This book provides the first comprehensive study of the performance of medieval narrative, using examples from England and the Continent and a variety of genres to examine the crucial question of whether - and how - medieval narratives were indeed intended for performance. Moving beyond the familiar dichotomy between oral and written literature, the various contributions emphasize the range and power of medieval performance traditions, and demonstrate thatknowledge of the modes and means of performance is crucial for appreciating medieval narratives.
The book is divided into four main parts, with each essay engaging with a specific issue or work, relating it to larger questions about performance. It first focuses on representations of the art of medieval performers of narrative. It then examines relationships between narrative performances and the material books that inspired, recorded, or representedthem. The next section studies performance features inscribed in texts and the significance of considering performability. The volume concludes with contributions by present-day professional performers who bring medieval narratives to life for contemporary audiences. Topics covered include orality, performance, storytelling, music, drama, the material book, public reading, and court life.
目次
Introduction [with Nancy Freeman Regalado and Marilyn Lawrence] - Evelyn Birge Vitz
Introduction [with Evelyn Birge Vitz and Marilyn Lawrence] - Nancy Freeman Regalado
Introduction [with Evelyn Birge Vitz and Nancy Freeman Regalado] - Marilyn Lawrence
`He was the best teller of tales in the world': Performing Medieval Welsh Narrative - Sioned Davies
The Complaint of the Makers: Wynnere and Wastoure and the `Misperformance Topos' in Medieval England - Joyce Coleman
Dioneo's Repertory: Performance and Writing in Boccaccio's Decameron - John Ahern
Mise en Texte as Indicator of Oral Performance in Old French Verse Narrative - Keith Busby
Erotic Reading in the Middle Ages: Performance and Re-performance of Romance - Evelyn Birge Vitz
Oral Performance of Written Narrative in the Medieval French Romance Ysaye le Triste - Marilyn Lawrence
Performing Romance: Arthurian Interludes in Sarrasin's Le roman du Hem [1278] - Nancy Freeman Regalado
Performing Fabliaux - Brian Levy
Preaching, Storytelling, and the Performance of Short Pious Narratives - Adrian P. Tudor
Reading, Reciting, and Performing the Renart - Kenneth Varty
Turkic Bard and Medieval Entertainer: What a Living Epic Tradition Can Tell Us about Oral Performance of Narrative in the Middle Ages - Karl Reichl
Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed `Singer of Tales' - Benjamin Bagby
The Weddynge of Sir Gawen and Dame Ragnell: Performance and Intertextuality in Middle English Popular Romance - Linda Marie Zaerr
`Une aventure vous dirai': Performing Medieval Narrative - Anne Azema
Sequels [with Nancy Freeman Regalado and Marilyn Lawrence] - Evelyn Birge Vitz
Sequels [with Evelyn Birge Vitz and Marilyn Lawrence] - Nancy Freeman Regalado
Sequels [with Evelyn Birge Vitz and Nancy Freeman Regalado] - Marilyn Lawrence
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