The origins of l'art nouveau : the Bing empire
Author(s)
Bibliographic Information
The origins of l'art nouveau : the Bing empire
Van Gogh Museum , Musée des Arts décoratifs , Mercatorfonds , Distributed in North America by Cornell University Press, c2004
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- : us
- Other Title
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Art nouveau
Bing empire
Available at 11 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"This book has been published to accompany the exhibition L'Art Nouveau: La Maison Bing, Van Gogh Museum, Amsterdam, 26 November 2004-27 February 2005, Museum Villa Stuck, Munich, 17 March-31 July 2005, CaixaForum, Barcelona, September 2005-January 2006, Musée des Arts décoratifs, Paris, March-July 2006."--T.p. verso
Includes bibliographical references (p. 288-289) and index
Description and Table of Contents
Description
The grand opening in 1895 of Siegfried Bing's gallery, "L'Art Nouveau," was a major event on the Parisian calendar. For Bing, a renowned dealer in Japanese art and Europe's leading exponent of Japonisme, the beautifully designed furnishings and objects he collected - and in many cases commissioned - fulfilled his vision of a new design aesthetic that promoted harmony and elegance. Overnight, Bing's emporium for new art became a symbol for, and the name of, an artistic movement known around the world. Illuminating Bing's role as a creative entrepreneur and the principal creator of the new style, this book explores his sponsorship of Japanese art; his close ties to such painters as Bonnard, Munch, and Toulouse-Lautrec; and his collaboration with Louis Comfort Tiffany and leading design studios in America and Britain. Bing's work as an interior decorator at the Paris World Fair of 1900 demonstrated the ability of one man to influence the arts worldwide.
The Origins of L'Art Nouveau, which features three hundred gorgeous color illustrations, reveals anew how one visionary individual shaped the tastes of a generation by effectively uniting Asian, European, and American styles, techniques, and sensibilities.
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