Modern architecture and the end of empire

Author(s)

    • Crinson, Mark

Bibliographic Information

Modern architecture and the end of empire

Mark Crinson

(British art and visual culture since 1750, new readings)

Ashgate, c2003

Available at  / 4 libraries

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Note

Includes bibliographical references (p. [207]-220) and index

HTTP:URL=http://www.loc.gov/catdir/toc/fy042/2002038261.html Information=Table of contents

Description and Table of Contents

Description

Modernist architecture claimed to be the "international style" but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. This book examines the interactions between modern architecture, imperialism and post-imperialism. Mark Crinson looks at the architecture of the last years of the British Empire, and during its prolonged dissolution and aftermath. Taking a number of case studies from Britain, Ghana, Hong Kong, Iran, India and Malaysia, he investigates the ambitions of the people who commissioned the buildings, the training and role of architects, and the interaction of the architecture and its changing social and cultural contexts. This book raises questions about the nature of modernism and its roles that look far beyond empire and towards the post-imperial.

Table of Contents

  • Imperial panorama - panorama of architecture
  • The double end - training architects for the Empire
  • Oil and architecture
  • The National Pavilion - "A building which needs no name"
  • The commonwealth of architecture
  • Dialects of internationalism - architecture in Ghana 1945-1966
  • The view from Penang Hill: Modernism and nationalism in Malaysia
  • Discrepant cosmopolitanism.

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