Inventions of the studio : Renaissance to Romanticism
著者
書誌事項
Inventions of the studio : Renaissance to Romanticism
（Bettie Allison Rand lectures in art history）
University of North Carolina Press, 2005
- : cloth
- : pbk
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注記
Papers from a two-day symposium and round table discussion at the University of North Carolina at Chapel Hill in April 2001
Includes bibliographical references (p. [213]-233) and index
HTTP:URL=http://www.loc.gov/catdir/toc/ecip0420/2004016551.html Information=Table of contents
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780807829035
内容説明
Between the time of Durer and that of Delacroix, the place the artist worked transformed into what nineteenth-century writers would call the "studio." The transformation implied a new kind of exchange between the workplaces of the artisan and the intellectual: the crafting of images provided a model for new kinds of reflection, and the imagined site of artisanship a new setting for meditation. Eventually the studio, as a subject of painting, would be one through which artists would make their most ambitious statements about the nature of their vocations. In Inventions of the Studio, six noted art historians follow this process over five centuries. The book looks at the Renaissance origins of the idea of the studio, at the possibilities that emerged for visualizing it in the late sixteenth and seventeenth centuries, and at its restaging among the Romantics, treating these not as isolated projects, but as part of a coherent tradition. Looking at the studio both as a concept and as an actual space, the book suggests that the studio, in its emergent form, is in many ways what defines the early modern artist.
目次
- 1 Origins of the Studio - Michael Cole and Mary Pardo
- 2 Indoor/Outdoor: The Studio around 1500 - Christopher S. Wood
- 3 Benedictus Arias Montanus and the Virtual Studio as a Meditative Place - Walter S. Melion
- 4 The Imagined Studios of Rembrandt and Vermeer - H. Perry Chapman
- 5 Creation and Death in the Romantic Studio - Marc Gotlieb
- 巻冊次
-
: pbk ISBN 9780807855683
内容説明
Between the time of Durer and that of Delacroix, the place the artist worked transformed into what nineteenth-century writers would call the ""studio."" The transformation implied a new kind of exchange between the workplaces of the artisan and the intellectual: the crafting of images provided a model for new kinds of reflection, and the imagined site of artisanship a new setting for meditation. Eventually the studio, as a subject of painting, would be one through which artists would make their most ambitious statements about the nature of their vocations. In Inventions of the Studio, six noted art historians follow this process over five centuries. The book looks at the Renaissance origins of the idea of the studio, at the possibilities that emerged for visualizing it in the late sixteenth and seventeenth centuries, and at its restaging among the Romantics, treating these not as isolated projects, but as part of a coherent tradition. Looking at the studio both as a concept and as an actual space, the book suggests that the studio, in its emergent form, is in many ways what defines the early modern artist.
目次
- 1 Origins of the Studio - Michael Cole and Mary Pardo
- 2 Indoor/Outdoor: The Studio around 1500 - Christopher S. Wood
- 3 Benedictus Arias Montanus and the Virtual Studio as a Meditative Place - Walter S. Melion
- 4 The Imagined Studios of Rembrandt and Vermeer - H. Perry Chapman
- 5 Creation and Death in the Romantic Studio - Marc Gotlieb
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