Screening violence
著者
書誌事項
Screening violence
Athlone, 2000
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Following the release in 1967 of "Bonnie and Clyde" and "The Dirty Dozen", violence has been seen as a defining feature of the modern film. Is it art or exploitation? Danger or liberation? This volume provides an exmination of the history and effects of graphic violence on film.
目次
- Introduction: graphic violence in the cinema - origins, aesthetic design, and social effects, Stephen Prince. Part 1 The historical context of ultraviolence: the thin red line, Joseph Morgenstern
- movies to kill people by, Bosley Crowther
- another smash at violence, Bosley Crowther
- Crowther's "Bonnie"-Brook - rap at violence stirs Brouhaha, Ronald Gold
- statement by Jack Valenti, MPAA president, before the National Commission on the causes and prevention of violence. Part 2 The aesthetics of ultraviolence: bang bang bang bang - ad nauseam, John Bailey, ASC
- death and its details, David Thomson
- violence - the strong and the weak, Devin McKinney
- the violent dance - a personal memoir of death in the movies, Vivian C. Sobchack
- her body, himself - gender in the Slasher film, Carol J. Clover
- the aesthetic of slow-motion violence in the films of Sam Pekinpah, Stephen Prince. Part 3 The effects of ultraviolence: some effects of thoughts on anti-and pro-social influences of media events - a cognitive-neo-association analysis, Leonard Berkowitz
- mass media effects on violent behaviour, Richard B. Felson.
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