Medea in performance, 1500-2000
Author(s)
Bibliographic Information
Medea in performance, 1500-2000
（Legenda）
European Humanities Research Centre, University of Oxford, 2001, c2000
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Note
"Reprinted, with additions to chapter 12 (archive database), 2001"--T.p. verso
Chiefly papers presented at an Aug. 1998 colloquium hosted at Somerville College by the University of Oxford's Archive of Performances of Greek and Roman Drama
Includes bibliographical references (p. [275]-288) and index
Description and Table of Contents
Description
This book provides an exhaustive account of the performance history of Euripides' tragedy and its various versions and adaptations from 1500 to 2000, filling some of the yawning gaps left by previous accounts of Medea.
Table of Contents
- 1. Introduction: The Performer in Performance 2. Medea in the English Renaissance 3. Medea on the Eighteenth-Century London Stage 4. Medea Transposed: Burlesque and Gender on the Mid-Victorian Stage 5. Medea e mobile: The Many Faces o f Medea in Opera 6. Performing Medea
- or, Why is Medea a Woman? 7. Between Magic and Realism: Medea on Film 8. Medea in Greece 9. Central European Medea 10. The Japanese Presence in Ninagawa's Medea 11. Medea Comes Home 12. Medeas on the Archive Database
by "Nielsen BookData"
