Medea in performance, 1500-2000
Author(s)
Bibliographic Information
Medea in performance, 1500-2000
(Legenda)
European Humanities Research Centre, University of Oxford, 2001, c2000
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Reprinted, with additions to chapter 12 (archive database), 2001"--T.p. verso
Chiefly papers presented at an Aug. 1998 colloquium hosted at Somerville College by the University of Oxford's Archive of Performances of Greek and Roman Drama
Includes bibliographical references (p. [275]-288) and index
Description and Table of Contents
Description
This book provides an exhaustive account of the performance history of Euripides' tragedy and its various versions and adaptations from 1500 to 2000, filling some of the yawning gaps left by previous accounts of Medea.
Table of Contents
- 1. Introduction: The Performer in Performance 2. Medea in the English Renaissance 3. Medea on the Eighteenth-Century London Stage 4. Medea Transposed: Burlesque and Gender on the Mid-Victorian Stage 5. Medea e mobile: The Many Faces o f Medea in Opera 6. Performing Medea
- or, Why is Medea a Woman? 7. Between Magic and Realism: Medea on Film 8. Medea in Greece 9. Central European Medea 10. The Japanese Presence in Ninagawa's Medea 11. Medea Comes Home 12. Medeas on the Archive Database
by "Nielsen BookData"