How to do theory
Author(s)
Bibliographic Information
How to do theory
(How to study literature)
Blackwell, 2006 [i.e. 2005]
- : pbk
Available at 17 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
This succinct introduction to modern theories of literature and the arts demonstrates how each theory is built and what it can accomplish.
Represents a wide variety of theories, including phenomenological theory, hermeneutical theory, gestalt theory, reception theory, semiotic theory, Marxist theory, deconstruction, anthropological theory, and feminist theory.
Uses classic literary texts, such as Keats's Ode on a Grecian Urn, Spenser's The Shephearde's Calender and T. S. Eliot's The Waste Land to illustrate his explanations.
Includes key statements by the major proponents of each theory.
Presents the different theories objectively, allowing students to decide which if any, they subscribe to.
Gives students a sense of the potential of theory.
Includes a glossary of technical terms.
Table of Contents
Preface. 1. Introduction.
Why Theory?.
Hard Core and Soft Theory.
Modes of Theory.
Theory and Method.
2. Phenomenological Theory: Ingarden.
The Layered Structure of the Work.
Method derived from Theory.
An Example.
3. Hermeneutical Theory: Gadamer..
Understanding.
Method derived from Theory.
An Example.
4. Gestalt Theory: Gombrich..
Schema and Correction.
An Example.
5. Reception Theory: Iser..
Reaction to a State of Criticism.
Interface between Text/Context and Text/Reader.
6. Semiotic Theory: Eco..
The Iconic Sign.
The Aesthetic Idiolect.
An Example.
7. Psychoanalytical Theory: Ehrenzweig. The Creative Process.
An Example.
An Afterthought-Spectacular Imaginig: Lacan.
8. Marxist Theory: Williams..
Reflectionist Theory.
Production.
Examples.
9. Deconstruction: Miller..
Deconstruction at Work.
Deconstruction Exemplified.
10. Anthropological Theory: Gans..
Basics of Generative Anthropology.
An Anthropological View of Literature.
11. Dewey's Art as Experience.
Aesthetic Experience.
Circularity.
An Example.
12. Showalter's "Towards a Feminist Poetics".
Women as Readers.
Women as Writers.
Revisions and Additions.
13. Theory in Perspective.
An Intellectual Landscape.
The Fabric of Theory.
What does the Multiplicity of Theories tell us?.
14. Postscript-Postcolonial Discourse: Said.
Basic Features of Discourse.
Startegies of Postcolonial Discourse.
The Novel as Imperial Discourse.
Modes of Resistance.
The Order of Postcolonial Discourse.
Appendix A John Keats Ode on a Grecian Urn.
Appendix B Edmund Spenser "Februarie: Aegloga Secunda" from The Shepheardes Calender.
Appendix C T.S. Eliot "The Fire Sermon" from The Waste Land.
Index.
by "Nielsen BookData"