Greuze and the painting of sentiment

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書誌事項

Greuze and the painting of sentiment

Emma Barker

Cambridge University Press, 2005

大学図書館所蔵 件 / 全7件

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注記

Includes bibliographical references (p. [298]-324) and index

内容説明・目次

内容説明

This book provides a reassessment of the work of the eighteenth-century French painter, Jean-Baptiste Greuze, and reconstructs the wider movement in French painting of which he was the leading figure. Drawing on a wide range of contemporary sources, from literature and philosophy to political economy and medical discourse, it offers new interpretations of Greuze's work that help to account for the extraordinary popularity and high reputation that he enjoyed in his own lifetime. It shows that the scenes of family life that he exhibited in the Paris Salon between 1755 and 1769 exemplified and promoted an enlightened social vision. It also charts the subsequent evolution of Greuze's imagery, as he shifted towards darker and more sensational scenes of family conflict, and argues that the more challenging aspects of his vision were toned down by younger artists, who appropriated the painting of sentiment to serve a more conservative agenda.

目次

  • Introduction
  • Part I. Greuze and the Salon 1755-1769: 1. Picturing peasants: Un Pere de famille qui lit la Bible
  • 2. Art and enlightenment: L'Accordee de village
  • 3. The image of authority: La Piete filiale: 4. Representing domesticity: La Mere bien-aimee
  • Part II. Greuze and his Contemporaries c. 1770-1785: 5. Fragonard's family scenes: L'Heureuse fecondite
  • 6. The painting of family life: L'Heureux menage
  • 7. Social hierarchy in sentimental painting: Le Trait de bienfaisance
  • 8. Domestic conflict in sentimental painting: Le Cri de la nature
  • Conclusion
  • Bibliography
  • Index.

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