Maya Achi marimba music in Guatemala
著者
書誌事項
Maya Achi marimba music in Guatemala
(Studies in Latin American and Caribbean music / edited by Peter Manuel)
Temple University Press, 2005
- : hbk
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes discography (p. [253]), bibliographical references (p. [255]-270) and index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9781592132911
内容説明
For the Achi, one of the several Mayan ethnic groups indigenous to Guatemala, the music of the marimba serves not only as a form of entertainment but also as a form of communication, a vehicle for memory, and an articulation of cultural identity. Sergio Navarrete Pellicer examines the marimba tradition -- the historical confluence of African musical influences, Spanish colonial power, and Indian ethnic assimilation -- as a driving force in the dynamics of cultural continuity and change in Rabinal, the heart of Achi culture and society. By examining the performance and consumption of marimba music as complementary parts of a system of social interaction, religious belief, and ethnic identification, Navarrete Pellicer reveals how the strains of the marimba resonate with the spiritual yearnings and cultural negotiations of the Achi as they try to come to terms with the political violence and economic hardship wrought by their colonial past.
目次
AcknowledgmentsIntroduction1. A History of the Achi People of Rabinal2. The Belief in the Dead3. Concepts and Classifications of Music4. The Marimba and the Son5. Good and Evil: Music, Alcohol, and Women6. Musical Occasions7. Cognition, Values, and the Aesthetics of Music8. The Economy of the Son and the Pieza9. Music within Social Interaction10. Conclusion: "Who Am I to Know Better Than the Ancestors?"Contents of Compact DiscAppendix 1: OrthographyAppendix 2: CofradiasAppendix 3: Musical Ensembles, Repertoires, and OccasionsAppendix 4: Synopses of Dance-DramasNotesGlossaryDiscographyReferencesIndex
- 巻冊次
-
: pbk ISBN 9781592132928
内容説明
For the Achi, one of the several Mayan ethnic groups indigenous to Guatemala, the music of the marimba serves not only as a form of entertainment but also as a form of communication, a vehicle for memory, and an articulation of cultural identity. Sergio Navarrete Pellicer examines the marimba tradition - the historical confluence of African musical influences, Spanish colonial power, and Indian ethnic assimilation - as a driving force in the dynamics of cultural continuity and change in Rabinal, the heart of Achi culture and society. By examining the performance and consumption of marimba music as complementary parts of a system of social interaction, religious belief, and ethnic identification, Navarrete Pellicer reveals how the strains of the marimba resonate with the spiritual yearnings and cultural negotiations of the Achi as they try to come to terms with the political violence and economic hardship wrought by their colonial past.
目次
AcknowledgmentsIntroduction1. A History of the Achi People of Rabinal2. The Belief in the Dead3. Concepts and Classifications of Music4. The Marimba and the Son5. Good and Evil: Music, Alcohol, and Women6. Musical Occasions7. Cognition, Values, and the Aesthetics of Music8. The Economy of the Son and the Pieza9. Music within Social Interaction10. Conclusion: "Who Am I to Know Better Than the Ancestors?"Contents of Compact DiscAppendix 1: OrthographyAppendix 2: CofradiasAppendix 3: Musical Ensembles, Repertoires, and OccasionsAppendix 4: Synopses of Dance-DramasNotesGlossaryDiscographyReferencesIndex
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