Theatre Australia (un)limited : Australian theatre since the 1950s

書誌事項

Theatre Australia (un)limited : Australian theatre since the 1950s

Geoffrey Milne

(Australian playwrights, monograph 10)

Rodopi, 2004

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注記

Includes bibliographical references (p. 403-412) and index

内容説明・目次

内容説明

Theatre Australia (Un)limited tells a truly national story of the structures of post-war Australian theatre: its artists, companies, financial and policy underpinnings. It gives an inclusive analysis of three 'waves' of Australian theatrical activity after 1953, and the types of organisations which grew up to support and maintain them. Subsidy, repertoire patterns, finances and administration, theatre buildings, companies, festivals and notable productions of the commercial, mainstream and alternative Australian theatre are examined state by state, and changes to governmental policy analysed. Theatrical forms comprise not only spoken-word drama, but also music theatre, comedy, theatre-restaurant, circus, puppetry, community theatre in several forms and new mixed-media genres: physical theatre, circus, visual theatre and contemporary performance. Theatre Australia (Un)limited is the first comprehensive overview of the fortunes of Australian theatre as a national enterprise, providing the industrial analysis of the 'three waves' essential for the understanding of the New Wave and of contemporary drama.

目次

Foreword by the Series Editor Acknowledgments List of photographs Common abbreviations used in this book Prologue Section One Establishing a context Chapter 1 Towards a national theatre? Chapter 2 National infrastructures: the workings of the Australia Council, major national companies and service organisations Chapter 3 Playing the states and territories Section Two Limited theatre: the first wave 1953-c.1969 Chapter 4 Setting the scene: commercial and amateur theatre before 1953 Chapter 5 The beginnings of professional repertory theatres and festivals Chapter 6 The Trust and the beginnings of national and state government infrastructure Chapter 7 Early professional alternatives theatres Section Three Unlimited theatre: the second wave 1966-1981 Chapter 8 The Australian imperative: the rise of alternative theatre Chapter 9 The Australia Council and government infrastructures in the 1970s Chapter 10 Still in town: new and old mainstream theatre in the 1970s faces the challenge of a new era Chapter 11 Bricks and mortar: arts centres and theatre building Chapter 12 Decentralisation: the beginnings of regional theatre Chapter 13 A next wave sighted: community theatre and cultural democracy Section Four The third wave 1980-1998: theatre limited Chapter 14 Commercial theatre, musicals rampant, and changing mainstream fortunes in the 1980s and 1990s Chapter 15 More (and more) alternatives Chapter 16 Enrichting and weeding out Australian theatre in the third wave Chapter 17 Against the stream or beyond the fringe: professional co-operative companies Chapter 18 Buildings and regional theatre: bricks and mortar or flesh and blood? Chapter 19 Access or excellence? changes in community theatre and subsidy policy Chapter 20 Blurring the boundaries: new forms collide with old Chapter 21 Festival fever: showcasing theatre Epilogue Works cited Index

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