For ever Godard
著者
書誌事項
For ever Godard
Black Dog, c2004
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注記
Bibliography: p. 438-442
Includes index
収録内容
- For ever divided / Raymond Bellour
- Introduction
- Illustrated filmography
- The Godard paradox / Serge Daney
- Godard and asychrony / Keith Reader
- The commerce of cinema / Colin MacCabe
- Home-movies : the curious cinematic collaboration of Anne-Marie Miéville and Jean-Luc Godard / Catherine Grant
- Godard in the museum / Antoine de Baecque
- Here and elsewhere : projecting Godard / James Quandt
- A cinema of memory in the future tense : Godard, trailers, and Godard trailers / Vinzenz Hediger
- The forms of the question / Nicole Brenez
- Procession and projection : notes on a figure in the work of Jean-Luc Godard / Christa Blümlinger
- "Gravity and grace" : on the "sacred" and cinematic vision in the films of Jean-Luc Godard / Vicki Callahan
- Altered motion and corporal resistance in France/tour/détour/deux/enfants / Michael Witt
- Godard, Hitchcock, and the cinematographic image / Jacques Rancière
- The written screen : JLG and writing as the accursed share / Philippe Dubois
- Recital : three lyrical interludes in Godard / Adrian Martin
- JLG/ECM / Laurent Jullier
- Music, love, and the cinematic event / James S. Williams
- "Sa voix" / Roland-François Lack
- Godard's two historiographies / Junji Hori
- The (im)possible history / Monica Dall'Asta
- Amamnesis and bearing witness : Godard/Lanzmann / Libby Saxton
- The index and erasure : Godard's approach to film history / Trond Lundemo
- "A form that thinks" : Godard, Blanchot, Citation / Leslie Hill
内容説明・目次
内容説明
For the last 50 years, Jean-Luc Godard's work in cinema and video has innovated, provoked and inspired. Reviewing this key film and video maker of the twentieth century, "For Ever Godard provides a new context for his work. Since the completion in 1998 of "Historie(s) du Cinema, an eight-part videographic experiment in cinema history, Godard's recent work on film and video has featured strongly in debates about audio-visual art and culture, especially regarding questions of historical memory, technological change, and the future of cinema in all its forms. The contributors to "For Ever Godard represent an international line-up, with writers based in nine countries, cutting across generations and disciplines. Thus a wide range of perspectives can be discerned in the essays, including philosophy, new media, critical theory, feminism, museology and historiography, as well as established names from film studies and art history. "For Ever Godard provides the essential overview to one of the most well-known figures in film and video today.
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