For ever Godard
著者
書誌事項
For ever Godard
Black Dog, c2004
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 438-442
Includes index
収録内容
- For ever divided / Raymond Bellour
- Introduction
- Illustrated filmography
- The Godard paradox / Serge Daney
- Godard and asychrony / Keith Reader
- The commerce of cinema / Colin MacCabe
- Home-movies : the curious cinematic collaboration of Anne-Marie Miéville and Jean-Luc Godard / Catherine Grant
- Godard in the museum / Antoine de Baecque
- Here and elsewhere : projecting Godard / James Quandt
- A cinema of memory in the future tense : Godard, trailers, and Godard trailers / Vinzenz Hediger
- The forms of the question / Nicole Brenez
- Procession and projection : notes on a figure in the work of Jean-Luc Godard / Christa Blümlinger
- "Gravity and grace" : on the "sacred" and cinematic vision in the films of Jean-Luc Godard / Vicki Callahan
- Altered motion and corporal resistance in France/tour/détour/deux/enfants / Michael Witt
- Godard, Hitchcock, and the cinematographic image / Jacques Rancière
- The written screen : JLG and writing as the accursed share / Philippe Dubois
- Recital : three lyrical interludes in Godard / Adrian Martin
- JLG/ECM / Laurent Jullier
- Music, love, and the cinematic event / James S. Williams
- "Sa voix" / Roland-François Lack
- Godard's two historiographies / Junji Hori
- The (im)possible history / Monica Dall'Asta
- Amamnesis and bearing witness : Godard/Lanzmann / Libby Saxton
- The index and erasure : Godard's approach to film history / Trond Lundemo
- "A form that thinks" : Godard, Blanchot, Citation / Leslie Hill
内容説明・目次
内容説明
For the last 50 years, Jean-Luc Godard's work in cinema and video has innovated, provoked and inspired. Reviewing this key film and video maker of the twentieth century, "For Ever Godard provides a new context for his work. Since the completion in 1998 of "Historie(s) du Cinema, an eight-part videographic experiment in cinema history, Godard's recent work on film and video has featured strongly in debates about audio-visual art and culture, especially regarding questions of historical memory, technological change, and the future of cinema in all its forms. The contributors to "For Ever Godard represent an international line-up, with writers based in nine countries, cutting across generations and disciplines. Thus a wide range of perspectives can be discerned in the essays, including philosophy, new media, critical theory, feminism, museology and historiography, as well as established names from film studies and art history. "For Ever Godard provides the essential overview to one of the most well-known figures in film and video today.
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