Printing and parenting in early modern England
著者
書誌事項
Printing and parenting in early modern England
(Women and gender in the early modern world)
Ashgate, c2005
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [403]-427) and index
内容説明・目次
内容説明
The relation between procreation and authorship, between reproduction and publication, has a long history - indeed, that relationship may well be the very foundation of history itself. The essays in this volume bring into focus a remarkably important and complex phase of this long history. In this volume, some of the most renowned scholars in the field persuasively demonstrate that during the early modern period, the awkward, incomplete transition from manuscript to print brought on by the invention of the printing press temporarily exposed and disturbed the epistemic foundations of English culture. As a result of this cultural upheaval, the discursive field of parenting was profoundly transformed. Through an examination of the literature of the period, this volume illuminates how many important conceptual systems related to gender, sexuality, human reproduction, legitimacy, maternity, kinship, paternity, dynasty, inheritance, and patriarchal authority came to be grounded in a range of anxieties and concerns directly linked to an emergent publishing industry and book trade. In exploring a wide spectrum of historical and cultural artifacts produced during the convergence of human and mechanical reproduction, of parenting and printing, these essays necessarily bring together two of the most vital critical paradigms available to scholars today: gender studies and the history of the book. Not only does this rare interdisciplinary coupling generate fresh and exciting insights into the literary and cultural production of the early modern period but it also greatly enriches the two critical paradigms themselves.
目次
- Contents: Introduction, Douglas A. Brooks. Part I Reproductive Rhetorics: Imprints: Shakespeare, Gutenberg, and Descartes, Margreta de Grazia
- Meaning, 'seeing', printing, Ann Thompson and John O. Thompson. Part II Ink and Kin: A womb of his own: male Renaissance poets in the female body, Katharine Eisaman Maus
- Ben Jonson's branded thumb and the imprint of textual paternity, Lynne Dickson Bruckner
- All father: Ben Jonson and the psychodynamics of authorship, David Lee Miller. Part III Issues of the Book Trade: The bastard art: woodcut illustration in 16th-century England, James A. Knapp
- Promiscuous textualities: the Nashe-Harvey controversy and the unnatural productions of print, Maria Teresa Micaela Prendergast
- The birth of advertising, Michael Baird Saenger
- Printing bastards: monstrous birth broadsides in early modern England, Aaron W. Kitch
- 'Red Incke': reading the bleeding on the early modern page, Bianca F.C. Calabresi. Part IV Parental Authorities: Marginal maternity: reading Lady Anne Clifford's A Mirror for Magistrates, Stephen Orgel
- Checking the father: anxious paternity and Jacobean press censorship, Cyndia Susan Clegg
- Pater patriae: James I and the imprint of prerogative, Howard Marchitello. Part V Textual Legacies: How many children had Alice Walker?, Laurie E. Maguire
- Mothers and authors: Johnson v. Calvert and the new children of our imagination, Mark Rose
- In locus parentis, Judith Roof. Afterword, Jennifer Wynne Hellwarth
- Bibliography
- Index.
「Nielsen BookData」 より