Visual culture and the German Middle Ages
著者
書誌事項
Visual culture and the German Middle Ages
(The new Middle Ages)
Palgrave Macmillan, 2005
1st ed
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
HTTP:URL=http://www.loc.gov/catdir/bios/hol051/2004059353.html Information=Contributor biographical information
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内容説明・目次
内容説明
This multi-disciplinary collection of essays draws on various theoretical approaches to explore the highly visual nature of the Middle Ages and expose new facets of old texts and artefacts. The term 'visual culture' has been used in recent years to refer to modern media theory, film, modern art and other contemporary representational forms and functions. But this emphasis on visuality is not only a modern phenomenon. Discourses on visual processes pervade the works of medieval secular poets, theologians, and scholastics alike. The Middle Ages was a highly visual society in which images, objects, and performance played a dominant communicative and representational role in both secular and religious areas of society. The essays in this volume, which present various perspectives on medieval visual culture, provide a critical historical basis for the study of visuality and visual processes.
目次
- Introduction: Visual Culture in the Middle Ages PART I: NEW VISIONS IN MEDIEVAL STUDIES Word and Image as a Research Field: Sound Methodologies or Just a Fashionable Trend?
- N.H.Ott PART II: INTERMEDIALITY Writing Speech-Image: The Concurrence of Signs
- J.Muller The Shield as a Poetic Screen: Early Blazon and the Visualisation of Medieval German Literature, 1150-1300
- H.Wandhoff Intermediality in the Middle Ages: Representations of Writing in the Illustrated Epic
- U.Ernst PART III: RETHINKING MANUSCRIPT CULTURE Images at the Interface: Orality, Literacy and the Pictoralization of the Roland Material
- J.Rushing Visualizing Performance?: Of Music, Word and Manuscripts
- V.Mertens PART IV: SPIRITUAL VISIONS The 'Handwritings of Humanity': Johannes Tauler on Hildegard of Bingern's Liber Scivias
- J.F.Hamburger Scripture, Vision, Performance: Visionary Texts and Medieval Religious Drama
- N.Largier PART V: WORD, IMAGE, AND TECHNOLOGY Logos and the Press: Christ in the Wine Press and the Development of Printing
- H.Wenzel From God's Word to Emblem: Justifying the Printed Word
- T.Cramer Contributor Notes
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