Visual music : synaesthesia in art and music since 1900
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Bibliographic Information
Visual music : synaesthesia in art and music since 1900
Thames & Hudson , Hirshhorn Museum , Museum of Contemporary Art, c2005
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Synaesthesia in art and music since 1900
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Note
Exhibition catalogue
Published on the occasion of an exhibition held at the Museum of Contemporary Art, Los Angeles, Feb. 13-May 22, 2005 and at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., June 23-Sept. 11, 2005
Exhibitors: Stanton Macdonald-Wright, Morgan Russell, Wassily Kandinsky ... [et al.]
Includes bibliographical references (p. 262-269)
Description and Table of Contents
Description
Music has inspired some of the most progressive art of our time from the abstract painting of Wassily Kandinsky and Frantisek Kupka to the mid-century experimental films of Oskar Pischinger and Harry Smith to contemporary installations by Jennifer Steinkamp and Jim Hodges. While early abstract paintings tended to approach music metonymically, the colour organs, films, light shows and installations from midtwentieth century to the present day engage a range of perceptual faculties to create a plethora of sensations in the viewer.The most complete examination of this phenomenon to date, "Visual Music" features ninety major works of art plus related documentation, focusing on abstract and mixed-media art forms and their connections to musical forms as varied as classical, jazz and electronica. The book includes three scholarly essays, each discussing a distinct art historical period in depth, and an additional essay by Olivia Mattis that approaches the subject from a musicologists perspective, as well as a chronology, artist biographies and a selected bibliography.
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