The Artemisia files : Artemisia Gentileschi for feminists and other thinking people
著者
書誌事項
The Artemisia files : Artemisia Gentileschi for feminists and other thinking people
University of Chicago Press, c2005
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 213-222) and indexes
収録内容
- Artemisia's hand / Mary D. Garrard
- Judging Artemisia : a Baroque woman in modern art history / Nanette Salomon
- "Gran macchina è bellezza?" : looking at the Gentileschi Judiths / Elena Ciletti
- Death, dispassion, and the female hero : Artemisia Gentileschi's Jael and Sisera / Babette Bohn
- Grounds of comparison / Mieke Bal
- Feminist dilemmas with the art/life problem / Griselda Pollock
内容説明・目次
内容説明
One of the first female artists to achieve recognition in her own time, Artemisia Gentileschi (1593-1653) became instantly popular in the 1970s when feminist art historians "discovered" her and argued vehemently for a place for her in the canon of Italian baroque painters. Featured alongside her father, Orazio Gentileschi, in a recent exhibition at the Metropolitan Museum of Art, Artemisia has continued to stir interest though her position in the canon remains precarious, in part because her sensationalized life history has overshadowed her art. In The Artemisia Files, Mieke Bal and her coauthors look squarely at this early icon of feminist art history and the question of her status as an artist.
Considering the events that shaped her life and reputation - her relationship to her father and her role as the victim in a highly publicized rape case during which she was tortured into giving evidence - the authors make the case that Artemisia's importance is due to more than her role as a poster child in the feminist attack on traditional art history; here, Artemisia emerges more fully as a highly original artist whose work is greater than the sum of the events that have traditionally defined her. The fresh, engaging discourse in The Artemisia Files will help to both renew the reputation of this artist on the merit of her work and establish her rightful place in the history of art.
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