Cinephilia : movies, love and memory
著者
書誌事項
Cinephilia : movies, love and memory
（Film culture in transition）
Amsterdam University Press, c2005
- : pbk
- : hardcover
大学図書館所蔵 全3件
注記
Includes bibliographical references and indexes
内容説明・目次
- 巻冊次
-
: pbk ISBN 9789053567685
内容説明
This collection of essays explores new periods, practices and definitions of what it means to love the cinema. The essays demonstrate that beyond individualist immersion in film, typical of the cinephilia as it was popular from the 1950s to the 1970s, a new type of cinephilia has emerged since the 1980s, practiced by a new generation of equally devoted, but quite differently networked cinephilies. They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as Fran ois Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recordings devices, and online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
目次
Table of Contents - 6[-]Acknowledgements - 8[-]Introduction - 10[-] Down with Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures - 12[-]I. The Ramifications of Cinephilia: Theory and History - 26[-] Cinephilia or the Uses of Disenchantment - 28[-] Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci's The Dreamers - 46[-] Mass Memories of Movies: Cinephilia as Norm and Narrative in Blockbuster Culture - 56[-] Love in the Time of Transcultural Fusion: Cinephilia, Homage and Kill Bill - 66[-]II. Technologies of Cinephilia: Production and Consumption - 82[-] Remastering Hong Kong Cinema - 84[-] Drowning in Popcorn at the International Film Festival Rotterdam?: The Festival as a Multiplex of Cinephilia - 98[-] Ravenous Cinephiles: Cinephilia, Internet, and Online Film Communities - 112[-] Re-disciplining the Audience: Godard's Rube-Carabinier - 126[-] The Original Is Always Lost: Film History, Copyright Industries and the Problem of Reconstruction - 136[-]III. Techniques of Cinephilia: Bootlegging and Sampling - 152[-] The Future of Anachronism: Todd Haynes and the Magnificent Andersons - 154[-] Conceptual Cinephilia: On Jon Routson's Bootlegs - 170[-] Playing the Waves: The Name of the Game is Dogme95 - 182[-] The Parenthesis and the Standard: On a Film by Morgan Fisher - 198[-] The Secret Passion of the Cinephile: Peter Greenaway's A Zed and Two Noughts Meets Adriaan Ditvoorst's De Witte Waan - 212[-]Biographies - 224[-]Index of Names - 228[-]Index of Film Titles - 234
- 巻冊次
-
: hardcover ISBN 9789053567692
内容説明
This anthology explores new periods, practices and definitions of what it means to love the cinema. The essays demonstrate that beyond individualist immersion in film, typical of the cinephilia as it was popular from the 1950s to the 1970s, a new type of cinephilia has emerged since the 1980s, practiced by a new generation of equally devoted, but quite differently networked cinephilies. They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as Fran ois Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recordings devices, and online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
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