Intertextuality in western art music
Author(s)
Bibliographic Information
Intertextuality in western art music
（Musical meaning and interpretation / Robert S. Hatten, editor）
Indiana University Press, c2005
Available at 4 libraries
Note
Includes bibliographical references (p. [163]-174) and index
Contents of Works
- Eco, Chopin, and the limits of intertextuality
- The appeal to structure
- On codes, topics, and leaps of interpretation
- Bloom, Freud, and Riffaterre : influence and intertext as signs of the uncanny
- Narrative and intertext : the logic of suffering in Lutosławski's Symphony no. 4
Description and Table of Contents
Description
"The outstanding originality of this book lies in the detail and perspicuity with which interrelations are traced between texts, it even seems that relations sometimes work backwards. Above all, this book does not offer a 'theory of intertextuality.' Rather, it is a many-sided survey of the topic, open-ended and truthful. It is fresh and inspirational."
-Raymond Monelle, Reader in Music at the University of Edinburgh and author of Linguistics and Semiotics in Music
Intertextuality in Western Art Music provides an interdisciplinary approach to the questions of music and meaning, using the approaches of Barthes, Foucault, Eco, Derrida, Levi-Strauss, and others. Drawing on research in aesthetics, hermeneutics, semiotics, narrativity, analysis, and musicology, Klein argues that each musical text is part of a cultural network of texts that code the ways we make sense of music.
Table of Contents
Preface
1. Eco, Chopin, and the Limits of Intertextuality
2. The Appeal to Structure
3. On Codes, Topics, and Leaps of Interpretation
4. Bloom, Freud, and Riffaterre: Influence and Intertext as Signs of the Uncanny
5. Narrative and Intertext: The Logic of Suffering in Lutoslawski's Symphony No. 4
Glossary
Notes
Works Cited
Index
by "Nielsen BookData"