Soweto blues : jazz, popular music, and politics in South Africa
Author(s)
Bibliographic Information
Soweto blues : jazz, popular music, and politics in South Africa
Continuum, 2005
- : pbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 333-335) and index
Description and Table of Contents
Description
Illustrates the vibrant relationship between jazz and the antiapartheid movement in twentieth-century South Africa. A major new contribution to the study of African music, "Soweto Blues" tells the remarkable story of how jazz became a key part of South Africa's struggle in the 20th century, and provides a fascinating overview of the ongoing links between African and American styles of music. Ansell illustrates how jazz occupies a unique place in South African music. Through interviews with hundreds of musicians, she pieces together a vibrant narrative history, bringing to life the early politics of resistance, the atmosphere of illegal performance spaces, the global anti-apartheid influence of Hugh Masakela and Miriam Makeba, as well as the post-apartheid upheavals in the national broadcasting and recording industries. Featuring an introduction by Abdullah Ibrahim, "Soweto Blues" is a fitting tribute to the power of music to inspire optimism and self-expression in the darkest of times.
Table of Contents
- Introduction
- Chapter 1: Where it All Started
- Chapter 2: New Sounds of the Cities
- Chapter 3: Athens on the Reef
- Chapter 4: The Land is Dead
- Chapter 5: Underground in Africa
- Chapter 6: Jazz for the Struggle, and the Struggle for Jazz
- Chapter 7: Home Is Where the Music Is: South African Jazz Abroad
- Chapter 8: The 1990s and Beyond: Not Yet Uhuru
- Appendix: Interviewees and Recordings
- Glossary
- Bibliography
- Index.
by "Nielsen BookData"