Japanese decorative arts of the Meiji period 1868-1912
Author(s)
Bibliographic Information
Japanese decorative arts of the Meiji period 1868-1912
(Ashmolean handbooks)
Ashmolean Museum, 2005
- : hardback
- : [pbk.]
Available at 9 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 111-112)
"ISBN 1854441973 (hardback), ISBN 1854441981 (hardback)"--T.p. verso of pbk
Description and Table of Contents
- Volume
-
: hardback ISBN 9781854441973
Description
It is not easy to overstate the cataclysmic effects of the run-up to the implementation of the Meiji 'Restoration' in Japan in 1868. The changes affected every aspect of Japanese life; a new sense of a single nation, as opposed to a series of regional loyalties, was created. The word Meiji means 'enlightened government' and the new government had as a primary aim the bringing of Japan into the group of modern western industrial powers. One of the ways the government decided to do this was to demonstrate to the world the brilliance of Japanese craftsmanship. New techniques, such as cloisonne enamel began to be developed for the first time in Japan. Active purchasing has meant the Ashmolean now has a well- represented collection of the highest quality.
Table of Contents
- Preface
- 'Art-Crafts' of Meiji Period Japan
- Catalogue Entries
- Glossary
- Select Bibliography.
- Volume
-
: [pbk.] ISBN 9781854441980
Description
The word Meiji means 'enlightened government' and the new Japanese government of 1868 had as a primary aim the bringing of Japan into a new group of modern western industrial powers. The Meiji Restoration in Japan in 1868 led to a demonstration to the world of the brilliance of Japanese Craftsmanship through the media of the International Industrial Expositions that were such a feature of the second half of the nineteenth century and the first two decades of the twentieth. New techniques, such as cloisonne enamel began to be developed for the first time in Japan. Active purchasing has meant that the Ashmolean now has a good representative collection of the highest quality.
Table of Contents
- Preface
- 'Art-Crafts' of Meiji Period Japan
- Catalogue Entries
- Glossary
- Select Bibliography.
by "Nielsen BookData"