CiNii 図書 - Ethnomusicology : a contemporary reader

Ethnomusicology: A Contemporary Reader is designed to supplement a textbook for an introductory course in ethnomusicology. It offers a cross section of the best new writing in the field from the last 15-20 years. Many instructors supplement textbook readings and listening assignments with scholarly articles that provide more in-depth information on geographic regions and topics and introduce issues that can facilitate class or small group discussion. These sources serve other purposes as well: they exemplify research technique and format and serve as models for the use of academic language, and collectively they can also illustrate the range of ethnographic method and analytical style in the discipline of ethnomusicology. Ethnomusicology: A Contemporary Reader serves as a basic introduction to the best writing in the field for students, professors, and music professionals. It is perfect for both introductory and upper level courses in world music.

Acknowledgments Contributors Introduction Jennifer C. Post Part I Commodification and Consumption 1. Sultans of Spin: Syrian Sacred Music on the World Stage Jonathan H. Shannon 2. Sounds Like the Mall of America: Programmed Music and the Architectonics of Commercial Space Jonathan Sterne Part II Cultural Tourism and Travel 3. Culture, Tourism and Cultural Tourism: Boundaries and Frontiers in Performances of Balinese Music and Dance Peter Dunbar-Hall 4. Folk Festival as Modern Ritual in the Polish Tatra Mountains Timothy J. Cooley Part III Gender and Sexuality 5. Taiko and the Asian/American Body: Drums, Rising Sun, and the Question of Gender Deborah Wong 6. Empowering Self, Making Choices, Creating Spaces: Black Female Identity via Rap Music Performance Cheryl L. Keyes 7. The Frame Drum in the Middle East: Women, Musical Instruments and Power Veronica Doubleday Part IV Globalization and Glocalization 8. On Redefining the 'Local' through World Music Jocelyne Guilbault 9. The Canned Sardine Spirit Takes the Mic Marina Roseman 10. A Musical Instrument Travels Around the World: Jenbe Playing in Bamako, West Africa, and Beyond Rainer Polak Part V Media, Technology, and Technoculture 11. Mozart in Mirrorshades: Ethnomusicology, Technology, and the Politics of Representation Rene T. A. Lysloff 12. Technology and the Production of Islamic Space: The Call to Prayer in Singapore Tong Soon Lee 13. Acting Up, Talking Tech: New York Rock Musicians and Their Metaphors of Technology Leslie C. Gay, Jr. Part VI Nationalism and Transnationalism 14. The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation Sue Tuohy 15. Russia's New Anthem and the Negotiation of National Identity J. Martin Daughtry 16. 'Mezanmi, Kouman Nou Ye? My Friends, How Are You?': Musical Constructions of the Haitian Transnation Gage Averill 17.'Indian' Music in the Diaspora: Case Studies of Chutney in Trinidad and in London Tina K. Ramnarine Part VII Place and Embodiment 18. The Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity Patria Roman-Velazquez 19. Dueling Landscapes: Singing Places and Identities in Highland Bolivia Tom Solomon Part VIII Racial and Ethnic Identities 20. American Indian Rap and Reggae: Dancing To the Beat of a Different Drummer' Neal Ullestad 21. From `I'm a Lapp' to `I am Saami': Popular Music and Changing Images of Indigenous Ethnicity in Scandinavia Richard Jones-Bamman Part IX Social and Political Action 22. Cajun Music, Cultural Revival: Theorizing Political Action in Popular Music Mark Mattern 23. Nitmiluk: Place and Empowerment in Australian Aboriginal Popular Music Chris Gibson and Peter Dunbar-Hall 24. Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Participatory Action Research in Northern KwaZulu Natal Angela Impey Glossary Research resources Books and articles Audio recordings Video recordings Web sites Index

Ethnomusicology: A Contemporary Reader is designed to supplement a textbook for an introductory course in ethnomusicology. It offers a cross section of the best new writing in the field from the last 15-20 years. Many instructors supplement textbook readings and listening assignments with scholarly articles that provide more in-depth information on geographic regions and topics and introduce issues that can facilitate class or small group discussion. These sources serve other purposes as well: they exemplify research technique and format and serve as models for the use of academic language, and collectively they can also illustrate the range of ethnographic method and analytical style in the discipline of ethnomusicology. Ethnomusicology: A Contemporary Reader serves as a basic introduction to the best writing in the field for students, professors, and music professionals. It is perfect for both introductory and upper level courses in world music.

Acknowledgments Contributors Introduction Jennifer C. Post Part I Commodification and Consumption 1. Sultans of Spin: Syrian Sacred Music on the World Stage Jonathan H. Shannon 2. Sounds Like the Mall of America: Programmed Music and the Architectonics of Commercial Space Jonathan Sterne Part II Cultural Tourism and Travel 3. Culture, Tourism and Cultural Tourism: Boundaries and Frontiers in Performances of Balinese Music and Dance Peter Dunbar-Hall 4. Folk Festival as Modern Ritual in the Polish Tatra Mountains Timothy J. Cooley Part III Gender and Sexuality 5. Taiko and the Asian/American Body: Drums, Rising Sun, and the Question of Gender Deborah Wong 6. Empowering Self, Making Choices, Creating Spaces: Black Female Identity via Rap Music Performance Cheryl L. Keyes 7. The Frame Drum in the Middle East: Women, Musical Instruments and Power Veronica Doubleday Part IV Globalization and Glocalization 8. On Redefining the 'Local' through World Music Jocelyne Guilbault 9. The Canned Sardine Spirit Takes the Mic Marina Roseman 10. A Musical Instrument Travels Around the World: Jenbe Playing in Bamako, West Africa, and Beyond Rainer Polak Part V Media, Technology, and Technoculture 11. Mozart in Mirrorshades: Ethnomusicology, Technology, and the Politics of Representation Rene T. A. Lysloff 12. Technology and the Production of Islamic Space: The Call to Prayer in Singapore Tong Soon Lee 13. Acting Up, Talking Tech: New York Rock Musicians and Their Metaphors of Technology Leslie C. Gay, Jr. Part VI Nationalism and Transnationalism 14. The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation Sue Tuohy 15. Russia's New Anthem and the Negotiation of National Identity J. Martin Daughtry 16. 'Mezanmi, Kouman Nou Ye? My Friends, How Are You?': Musical Constructions of the Haitian Transnation Gage Averill 17.'Indian' Music in the Diaspora: Case Studies of "Chutney" in Trinidad and in London Tina K. Ramnarine Part VII Place and Embodiment 18. The Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity Patria Roman-Velazquez 19. Dueling Landscapes: Singing Places and Identities in Highland Bolivia Tom Solomon Part VIII Racial and Ethnic Identities 20. American Indian Rap and Reggae: Dancing To the Beat of a Different Drummer' Neal Ullestad 21. From 'I'm a Lapp' to 'I am Saami': Popular Music and Changing Images of Indigenous Ethnicity in Scandinavia Richard Jones-Bamman Part IX Social and Political Action 22. Cajun Music, Cultural Revival: Theorizing Political Action in Popular Music Mark Mattern 23. Nitmiluk: Place and Empowerment in Australian Aboriginal Popular Music Chris Gibson and Peter Dunbar-Hall 24. Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Participatory Action Research in Northern KwaZulu Natal Angela Impey Glossary Research resources Books and articles Audio recordings Video recordings Web sites Index

Ethnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists' engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline's identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005. The collection of essays is organized into six sections: Property and Rights Applied Practice Knowledge and Agency Community and Social Space Embodiment and Cognition Curating Sound Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions.

PART I: Intellectual Property and Cultural Rights 1. Performing Protocol: Indigenous Traditional Knowledge as/and Intellectual Property (Beverley Diamond, with Aaron Corn, Frode Fjellheim, Cheryl L'Hirondelle, Moana Manipota, Allan Marett, Taqralik Partridge, John Carlos Perea, Ulla Pirttijarvi, and Per Niila Stalka) 2. "Justice with My Own Hands": The Serious Play of Piracy in Bolivian Indigenous Music Videos (Henry Stobart) 3. Modernist Reform, Virtuosity, and Uyghur Instrumental Music in Chinese Central Asia (Chuen-Fung Wong) PART II: Applied Practice 4. From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World (Samuel Araujo) 5. The Ethnomusicologist at the Rock Face: Reflections on Working at the Nexus of Music and Mining (Kirsty Gillespie) 6. Social Shifts and Viable Musical Futures: The Case of Cambodian Smot (Catherine Grant) 7. Medical Ethnomusicology and Psychological Flexibility in Wellness, Health, and Wellness (Benjamin D. Koen) PART III: Knowledge and Agency 8. Bird Song and Song about a Bird: Popular Music and the Mediation of Traditional Ecological Knowledge in Northeastern Brazil (Michael B. Silvers) 9. Music, Environment and Place in Kam Big Song (Catherine Ingram) 10. Ecological Knowledge, Collaborative Management, and Musical Production in Western Mongolia (Jennifer C. Post) 11. Music and Non-Human Agency (Bernd Brabec de Mori) PART IV: Community and Social Space 12. Rethinking the Urban Community: (Re) Mapping Musical Processes and Places (Kay Kaufman Shelemay) 13. Mixed Modes and Performance Codes of Political Demonstrations and Carnival in Haiti (Rebecca Dirksen) 14. Soundscapes of Pilgrimage: European and American Christians in Jerusalem's Old City (Abigail Wood) PART V: Embodiment and Cognition 15. Time, Gesture, and Attention in a Khyal Performance (Martin Clayton) 16. Speaking with the Body in Nigerian and Cuban Orisha Music: Musical Movements in Song, Dance, and Trance (Amanda Villepastour) 17. Gaming the System: Gender and Performance in Dance Central (Kiri Miller) PART VI: Curating Sound 18. Preserving the Past, Activating the Future: Collaborative Archiving in Ethnomusicology (John Vallier) 19. "Curating Sound Is Impossible": Views from the Streets, Galleries, and Rainforests (Noel Lobley)

Ethnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists' engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline's identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005. The collection of essays is organized into six sections: Property and Rights Applied Practice Knowledge and Agency Community and Social Space Embodiment and Cognition Curating Sound Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions.

PART I: Intellectual Property and Cultural Rights 1. Performing Protocol: Indigenous Traditional Knowledge as/and Intellectual Property (Beverley Diamond, with Aaron Corn, Frode Fjellheim, Cheryl L'Hirondelle, Moana Manipota, Allan Marett, Taqralik Partridge, John Carlos Perea, Ulla Pirttijarvi, and Per Niila Stalka) 2. "Justice with My Own Hands": The Serious Play of Piracy in Bolivian Indigenous Music Videos (Henry Stobart) 3. Modernist Reform, Virtuosity, and Uyghur Instrumental Music in Chinese Central Asia (Chuen-Fung Wong) PART II: Applied Practice 4. From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World (Samuel Araujo) 5. The Ethnomusicologist at the Rock Face: Reflections on Working at the Nexus of Music and Mining (Kirsty Gillespie) 6. Social Shifts and Viable Musical Futures: The Case of Cambodian Smot (Catherine Grant) 7. Medical Ethnomusicology and Psychological Flexibility in Wellness, Health, and Wellness (Benjamin D. Koen) PART III: Knowledge and Agency 8. Bird Song and Song about a Bird: Popular Music and the Mediation of Traditional Ecological Knowledge in Northeastern Brazil (Michael B. Silvers) 9. Music, Environment and Place in Kam Big Song (Catherine Ingram) 10. Ecological Knowledge, Collaborative Management, and Musical Production in Western Mongolia (Jennifer C. Post) 11. Music and Non-Human Agency (Bernd Brabec de Mori) PART IV: Community and Social Space 12. Rethinking the Urban Community: (Re) Mapping Musical Processes and Places (Kay Kaufman Shelemay) 13. Mixed Modes and Performance Codes of Political Demonstrations and Carnival in Haiti (Rebecca Dirksen) 14. Soundscapes of Pilgrimage: European and American Christians in Jerusalem's Old City (Abigail Wood) PART V: Embodiment and Cognition 15. Time, Gesture, and Attention in a Khyal Performance (Martin Clayton) 16. Speaking with the Body in Nigerian and Cuban Orisha Music: Musical Movements in Song, Dance, and Trance (Amanda Villepastour) 17. Gaming the System: Gender and Performance in Dance Central (Kiri Miller) PART VI: Curating Sound 18. Preserving the Past, Activating the Future: Collaborative Archiving in Ethnomusicology (John Vallier) 19. "Curating Sound Is Impossible": Views from the Streets, Galleries, and Rainforests (Noel Lobley)

Ethnomusicology : a contemporary reader

著者

書誌事項

大学図書館所蔵件 / 全23件

この図書・雑誌をさがす

注記

内容説明・目次

詳細情報

書き出し