Samuel Palmer, 1805-1881 : vision and landscape
著者
書誌事項
Samuel Palmer, 1805-1881 : vision and landscape
British Museum Press , Metropolitan Museum of Art, 2005
- タイトル別名
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Samuel Palmer : vision and landscape
Samuel Palmer
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Published to accompany and exhibition shown at the British Museum, 21 Oct. 2005-22 Jan. 2006 and at The Metropolitan Museum of Art, New York, 7 Mar. 2006-28 May 2006
Organized by the British Museum and The Metropolitan Museum of Art, New York
Bibliography: p. 245-249
Includes indexes
内容説明・目次
内容説明
Palmer began his career as an artist at an early age. He first exhibited at the Royal Academy at the age of fourteen (one of his sketchbooks from this time is in the British Museum's collection). In 1824, he met William Blake whose influence helped confirm his visionary approach to art. Palmer retreated into rural isolation in the village of Shoreham, Kent, his own 'Valley of Vision'. Here he produced his most distinctive work, and gathered around him a group of artists (including Edward Calvert and George Richmond) known as 'the Ancients'. He married in 1837, and on his two-year honeymoon in Italy, his style turned to intensely coloured watercolours, with an obvious spiritual connection to his subjects. The striking watercolour "A Cornfield by Moonlight with the Evening Star" is one of his finest works from the Shoreham period and was acquired by the British Museum in 1985 after a public appeal. Samuel Palmer was active during the great flowering of British landscape painting in the first half of the nineteenth century. His work influenced many artists of the twentieth century, including Graham Sutherland and Eric Ravilious.
The exhibition and accompanying book will allow a twenty-first century audience to rediscover his beautiful, moving and popular works.
目次
- Introduction - Palmer's Vision, William Vaughan
- Palmer's Literary Inspiration, David Blayney Brown (Tate)
- Palmer and the Politics of Landscape, David Bindman (UCL)
- Palmer and Richmond, Elizabeth Barker (Met)
- Palmer and the Neo-Romantics, Colin Harrison (Ashmolean)
- Part One
- The Romantic Visionary
- 1. Early Years
- 2. The Primitive Vision
- 3. Shoreham and the Ancients
- 4. Later Shoreham
- Part Two
- The Victorian
- 5. The Traveller
- 6. Italy
- 7. Sketches and Idylls
- 8. The Lonely Tower Chronology
- Select Bibliography
- Glossary
- Index.
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