Essays in honor of László Somfai on his 70th birthday : studies in the sources and the interpretation of music

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Essays in honor of László Somfai on his 70th birthday : studies in the sources and the interpretation of music

edited by László Vikárius and Vera Lampert

Scarecrow Press, 2005

Available at  / 3 libraries

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Note

Includes bibliographical references (p. 487-506) and index

Contents of Works

  • The unbearable lightness of ethnomusicological complete editions : the style of the ba'al tefillah (prayer leader) in the East European Jewish Service / Judit Frigyesi
  • Ordinary melodies in the context of the "Old Roman chant" question / Gábor Kiss
  • In the workshop of the musicus / László Dobszay
  • Performing Medieval music in the late-1960s : Michael Morrow and Thomas Binkley / David Fallows
  • 19th-century paths to Palestrina's music : Italian, German, and French editions of the Missa Papae Marcelli / Zsuzsanna Domokos
  • Watermarks are singles, too : a miscellany of research notes / Jan LaRue
  • Toward a performance history of Bach's sonatas and partitas for solo violin : preliminary investigations / Dorttya Fabian
  • "'Returning' to the skin" : on Theodor W. Adorno's theory of musical interpretation / Hermann Danuser
  • Siciliana-Tempi and Haydn's Sisilianos / Eva Badura-Skoda
  • Haydn's op. 9 : a critique of the ideology of the "Classical" string quartet / James Webster
  • The voice of God in Haydn's Creation / Elaine Sisman
  • Gluck's Serenata tetide (1760) and Mozart : a supplement to the preface to the first edition in the Gluck-Gesamtausgabe / Gerhard Croll
  • Did Mozart "Pedal," and If so, how much and where? / Malcolm Bilson
  • Mozart's chamber music with keyboard : a musical panorama of Europe, 1762-1788 / Katalin Komlós
  • Mozart's Mannheim sonatas for violin and piano / Jürgen Hunkemöller
  • Mozart's modular minuet machine / Neal Zaslaw
  • Praise of wine from ofen, ugliness, and friendship : three occasional compositions by Franz Xavier Süssmayr / Rudolf Flotzinger
  • Recycling old ideas in Beethoven's String quartet op. 132 / Bathia Churgin
  • A suggestive detail in Weber's Freischütz / Richard Taruskin
  • Franz Liszt's First Hungarian symphonic attempt : The National-ungarische Symphonie / Adrianne Kaczmarczyk
  • Umerenno or Andantino molto : on Musorgsky's tempo markings / Márta Papp
  • Anxiety, abstraction, and Schoenberg's gestures of fear / Klára Móricz
  • Wagnerian details in Webern's op. 5, no. 2 / David E. Schneider
  • Zoltán Kodály's art of fugue : about the neo-classicism of the concerto for orchestra / Anna Dalos
  • Bartók analysis in America / János Kárpáti
  • Bartók and his song texts / Ferenic László
  • The making of a cycle of folksong arrangements : the sources of Bartok's Eight Hungarian folksongs / Vera Lampert
  • A stray leaf from Bartók's black pocket-book / Oliver Neighbour
  • Backgrounds of Bartók's "Bitonal" bagatelle / László Vikárius
  • Analytical notes to Bartók's Improvisations, op. 20 and the ordering of the series / Ivan Waldbauer
  • Narrative analysis in the comparative approach to performances : The Adagio of Bartók's Music for strings, percussion, and celesta / Márta Grabócz
  • Some impressions on the performance tradition of the Bartók violin concerto / Peter Laki
  • "Hommage à Sacher via Bartók" : Bartók quotations in Henri Dutilleux's Trois strophes sur le nom de Sacher and Heinz Holliger's Atembogen / Felix Meyer
  • Luciano Berio's Sonata per pianoforte solo or the disclosures of a sketch page / Reinhold Brinkmann

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