{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BA74819708.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BA74819708#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BA74819708.json"},"dc:title":[{"@value":"Essays in honor of László Somfai on his 70th birthday : studies in the sources and the interpretation of music"}],"dc:creator":"edited by László Vikárius and Vera Lampert","dc:publisher":[{"@value":"Scarecrow Press"}],"dcterms:extent":"viii, 526 p.","cinii:size":"26 cm","dc:language":"eng","dc:date":"2005","cinii:ncid":"BA74819708","cinii:ownerCount":"3","foaf:maker":[{"@type":"foaf:Person","foaf:name":[{"@value":"Vikárius, László"}]},{"@id":"https://ci.nii.ac.jp/author/DA12801299#entity","@type":"foaf:Person","foaf:name":[{"@value":"Lampert, Vera"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA001925","@type":"foaf:Organization","foaf:name":"東京芸術大学 附属図書館","rdfs:seeAlso":{"@id":"https://opac.lib.geidai.ac.jp/opc/recordID/catalog.bib/BA74819708"}},{"@id":"https://ci.nii.ac.jp/library/FA001925","@type":"foaf:Organization","foaf:name":"東京芸術大学 附属図書館","rdfs:seeAlso":{"@id":"https://opac.lib.geidai.ac.jp/opc/recordID/catalog.bib/BA74819708"}},{"@id":"https://ci.nii.ac.jp/library/FA004537","@type":"foaf:Organization","foaf:name":"宮城学院女子大学 図書館","rdfs:seeAlso":{"@id":"https://library.mgu.ac.jp/opac/search?&target=local&searchmode=complex&autoDetail=true&s_ncid=BA74819708"}}],"bibo:lccn":["2005051605"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2005051605"}],"prism:publicationDate":["2005"],"cinii:note":["Includes bibliographical references (p. 487-506) and index"],"dc:subject":["LCC:ML55"],"cinii:contentOfWorks":["The unbearable lightness of ethnomusicological complete editions : the style of the ba'al tefillah (prayer leader) in the East European Jewish Service / Judit Frigyesi","Ordinary melodies in the context of the \"Old Roman chant\" question / Gábor Kiss","In the workshop of the musicus / László Dobszay","Performing Medieval music in the late-1960s : Michael Morrow and Thomas Binkley / David Fallows","19th-century paths to Palestrina's music : Italian, German, and French editions of the Missa Papae Marcelli / Zsuzsanna Domokos","Watermarks are singles, too : a miscellany of research notes / Jan LaRue","Toward a performance history of Bach's sonatas and partitas for solo violin : preliminary investigations / Dorttya Fabian","\"'Returning' to the skin\" : on Theodor W. Adorno's theory of musical interpretation / Hermann Danuser","Siciliana-Tempi and Haydn's Sisilianos / Eva Badura-Skoda","Haydn's op. 9 : a critique of the ideology of the \"Classical\" string quartet / James Webster","The voice of God in Haydn's Creation / Elaine Sisman","Gluck's Serenata tetide (1760) and Mozart : a supplement to the preface to the first edition in the Gluck-Gesamtausgabe / Gerhard Croll","Did Mozart \"Pedal,\" and If so, how much and where? / Malcolm Bilson","Mozart's chamber music with keyboard : a musical panorama of Europe, 1762-1788 / Katalin Komlós","Mozart's Mannheim sonatas for violin and piano / Jürgen Hunkemöller","Mozart's modular minuet machine / Neal Zaslaw","Praise of wine from ofen, ugliness, and friendship : three occasional compositions by Franz Xavier Süssmayr / Rudolf Flotzinger","Recycling old ideas in Beethoven's String quartet op. 132 / Bathia Churgin","A suggestive detail in Weber's Freischütz / Richard Taruskin","Franz Liszt's First Hungarian symphonic attempt : The National-ungarische Symphonie / Adrianne Kaczmarczyk","Umerenno or Andantino molto : on Musorgsky's tempo markings / Márta Papp","Anxiety, abstraction, and Schoenberg's gestures of fear / Klára Móricz","Wagnerian details in Webern's op. 5, no. 2 / David E. Schneider","Zoltán Kodály's art of fugue : about the neo-classicism of the concerto for orchestra / Anna Dalos","Bartók analysis in America / János Kárpáti","Bartók and his song texts / Ferenic László","The making of a cycle of folksong arrangements : the sources of Bartok's Eight Hungarian folksongs / Vera Lampert","A stray leaf from Bartók's black pocket-book / Oliver Neighbour","Backgrounds of Bartók's \"Bitonal\" bagatelle / László Vikárius","Analytical notes to Bartók's Improvisations, op. 20 and the ordering of the series / Ivan Waldbauer","Narrative analysis in the comparative approach to performances : The Adagio of Bartók's Music for strings, percussion, and celesta / Márta Grabócz","Some impressions on the performance tradition of the Bartók violin concerto / Peter Laki","\"Hommage à Sacher via Bartók\" : Bartók quotations in Henri Dutilleux's Trois strophes sur le nom de Sacher and Heinz Holliger's Atembogen / Felix Meyer","Luciano Berio's Sonata per pianoforte solo or the disclosures of a sketch page / Reinhold Brinkmann"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Somfai%2C+L%C3%A1szl%C3%B3","dc:title":"Somfai, László"},{"@id":"https://ci.nii.ac.jp/books/search?q=Music+--+History+and+criticism","dc:title":"Music -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Music+--+Interpretation+%28Phrasing%2C+dynamics%2C+etc.%29","dc:title":"Music -- Interpretation (Phrasing, dynamics, etc.)"},{"@id":"https://ci.nii.ac.jp/books/search?q=Performance+practice+%28Music%29","dc:title":"Performance practice (Music)"}],"dcterms:hasPart":[{"@id":"urn:isbn:0810852977"}]}]}