Carol McNicoll
著者
書誌事項
Carol McNicoll
City Gallery, Leicester , in association with Lund Humphries, c2003
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Carol McNicoll (b.1943) works within the vessel tradition and alongside other women ceramicists, such as Alison Britton and Elizabeth Fritsch, she helped to transform the British ceramics scene in the late 1970s. McNicoll's objects embody quintessential English eccentricity: china shire horses and toby jugs, for example, are given a surreal twist; teapots appear with three spouts; bowls resemble classic English dishes such as egg and chips. Yet all are functional: a common characteristic that illustrates McNicoll's determination to push back boundaries and to make everyday objects extraordinary. This preoccupation with the unexpected is reflected in the artist's favoured technique, slip casting, primarily an industrial process whose association with replication and mass production is intrinsic to her work. The first book devoted to McNicoll's art, this title brings together biographical and developmental elements to create an in-depth analysis of Carol McNicoll's work.
Featuring an interview between the artist and lifelong friend RoseLee Goldberg, this book also provides insights into the period in which the artist emerged, placing McNicoll's work in the context of the worlds of art, fashion and music in the 1970s.
目次
- Contents: Foreword
- Introduction
- Carol McNicoll
- 'Say it on Pots!' A Conversation with Carol McNicoll
- Recent Works
- Glossary
- Chronology
- Selected Exhibitions
- Public Collections
- Selected Bibliography
- Acknowledgements
- Index of Works.
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