No place like home : locations of Heimat in German cinema
著者
書誌事項
No place like home : locations of Heimat in German cinema
（Weimar and now : German cultural criticism / Martin Jay and Anton Kaes, general editors, 36）
University of California Press, c2005
- : cloth
- : pbk
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注記
Includes bibliographical references (p. 273-289) and index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780520244108
内容説明
This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that 'there is no place like home' since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950s, a period that has been little studied. Questions of what it could possibly mean to call the German nation 'home' after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.
目次
List of Illustrations Acknowledgments Introduction: Locating Heimat PART I. ROOTS 1. Evergreens: The Place of Heimat in German Film History 2. Therapeutic Topographies: From Ludwig Ganghofer to the Nazi Heimatfilm PART II. ROUTES 3. Launching the Heimatfilmwelle: From the Trummerfilm to Grun ist die Heide 4. Heimat/Horror/History: Rosen bluhen auf dem Heidegrab 5. Nostalgic Modernization: Locating Home in the Economic Miracle 6. Expellees, Emigrants, Exiles: Spectacles of Displacement 7. Collectivizing the Local: DEFA and the Question of Heimat in the 1950s PART III. RETROSPECTS 8. Inside/Out: Spaces of History in Edgar Reitz's Heimat Epilogue: Heimat, Heritage, and the Invention of Tradition Notes Bibliography Index
- 巻冊次
-
: pbk ISBN 9780520244115
内容説明
This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that "there is no place like home" since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950s, a period that has been little studied. Questions of what it could possibly mean to call the German nation "home" after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.
目次
List of Illustrations Acknowledgments Introduction: Locating Heimat PART I. ROOTS 1. Evergreens: The Place of Heimat in German Film History 2. Therapeutic Topographies: From Ludwig Ganghofer to the Nazi Heimatfilm PART II. ROUTES 3. Launching the Heimatfilmwelle: From the Trummerfilm to Grun ist die Heide 4. Heimat/Horror/History: Rosen bluhen auf dem Heidegrab 5. Nostalgic Modernization: Locating Home in the Economic Miracle 6. Expellees, Emigrants, Exiles: Spectacles of Displacement 7. Collectivizing the Local: DEFA and the Question of Heimat in the 1950s PART III. RETROSPECTS 8. Inside/Out: Spaces of History in Edgar Reitz's Heimat Epilogue: Heimat, Heritage, and the Invention of Tradition Notes Bibliography Index
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