Who owns the past? : cultural policy, cultural property, and the law

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書誌事項

Who owns the past? : cultural policy, cultural property, and the law

Kate Fitz Gibbon, editor

（Rutgers series on the public life of the arts）

Rutgers University Press , American Council for Cultural Policy, c2005

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Public and private institutions in the United States have long been home to a variety of art works, antiquities, and ethnological materials. For years, these collections have been seen as important archives that allow present and future generations to enjoy, appreciate, and value the art of all cultures. The past decade, however, has seen major changes in law and public policy and an active, ongoing debate over legal and ethical issues affecting the ownership of art and other cultural property. Contributors to ""Who Owns the Past?"" includes legal scholars, museum professionals, anthropologists, archaeologists, and collectors. In clear, nontechnical language, they provide a comprehensive overview of the development of cultural property law and practices, as well as recent case law affecting the ability of museums and private collectors to own art from other countries. Topics covered include rights to property, ethical ownership, the public responsibilities of museums, threats to art from war, pillage, and development, and international cooperation to preserve collections in the developing world. Engaging all perspectives on this debate, ""Who Owns the Past?"" challenges all who care about the arts to work together toward policies that consider traditional American interests in securing cultural resources and respect international concerns over loss of heritage. This book has been sponsored by the American Council for Cultural Policy.

目次

  • Contents
  • Preface
  • Acknowledgments
  • Introduction
  • I. THE LAWS
  • Chronology of Cultural Property Legislation
  • kate fitz gibbon
  • Cultural Property, Congress, the Courts, and Customs: The Decline and
  • Fall of the Antiquities Market?
  • william g. pearlstein
  • Indian Givers
  • stephen vincent
  • Immunity from Seizure
  • rebecca noonan
  • A Tale of Two Innocents: The Rights of Former Owners and Good-Faith
  • Purchasers of Stolen Art
  • ashton hawkins, richard a. rothman, judith church
  • The Schiele Matter
  • stephen w. clark. The Trial of the Sevso Treasure: What a Nation Will Do in the Name of
  • Its Heritage
  • leo v. gagion, harvey kurzweil, ludovic de walden
  • The Art Market in the UK and REcent Developments in British Cultural
  • Policy
  • anthony browne, pierre valentin
  • The Elgin Marbles
  • kate fitz gibbon
  • The Hazards of Common Law Adjudication
  • jeremy g. epstein
  • II. COLLECTING AND THE TRADE
  • Collecting Ancient Art: A Historical Perspective
  • margaret ellen mayo
  • Museums, Antiquities, Cultural Property, and the US Legal Framework for
  • Making Acquisitions
  • james cuno
  • The Expert and The Object
  • ronald d. spencer
  • Building American Museums, The Role of the Private Collector
  • shelby white
  • Editor's Note: The Illicit Trade-Fact or Fiction?
  • kate fitz gibbon
  • The Antiquities Market: When, What, Where, Who, Why... and How Much?
  • arielle kozloff
  • Dealers Speak
  • edited by peter marks
  • ATADA-Building Ethical Consensus through Trade Organization
  • ramona morris
  • A Modern Challenge to an Age-Old Pursuit: Can Cultural Patrimony Claims
  • and Coin Collecting Coexist?
  • peter k. tompa, ann m. brose
  • III. ART IN PERIL
  • Archaeology and the Art Market
  • clemency chase coggins
  • Observations of a Combatant
  • clemency chase coggins
  • Art in Jeopardy
  • andrew solomon
  • Improving the Odds: Preservation through Distribution
  • andrew emmerich
  • Subsistence Diggers
  • david matsuda
  • IV. THE UNIVERSAL MUSEUM
  • A Licit International Trade in Cultural Objects
  • john henry merryman
  • Alternatives to Embargo
  • kate fitz gibbon
  • The Kathmandu Valley Preservation Trust
  • erich theophile, cynthia rosenfeld
  • The Acquisition and Ownership of Antiquities in Today's Age of
  • Transition
  • emma bunker
  • Conclusion: Museums at the Center of Public Policy
  • accp editorial board
  • V. APPENDICES AND LINKS
  • Appendix 1: Japan's Protection of Its Cultural Heritage-A Model
  • Appendix 2: Cultural Property Information Resources
  • Contributors
  • Index.

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