A concise companion to Shakespeare on screen

著者

• Henderson, Diana E.

書誌事項

A concise companion to Shakespeare on screen

edited by Diana E. Henderson

（Blackwell concise companions to literature and culture）

Blackwell, 2006

• : pbk
• : hardcover

注記

"Chronology": p. [xii]-xxiv

Includes bibliographical references (p. 250-252) and index

収録内容

• Authorship : getting back to Shakespeare : whose film is it anyway? / Elsie Walker
• Cinema studies : "thou dost usurp authority" : Beerbohm Tree, Reinhardt, Olivier, Welles, and the politics of adapting Shakespeare / Anthony R. Guneratne
• Theatricality : stage, screen and nation : Hamlet and the space of history / Robert Shaughnessy
• The artistic process : learning from Campbell Scott's Hamlet / Diana E. Henderson
• Cinematic performance : spectacular bodies : acting + cinema + Shakespeare / Barbara Hodgdon
• Gender studies : Shakespeare, sex and violence : negotiating masculinities in Branagh's Henry V and Taymor's Titus / Pascale Aesbischer
• Globalization : figuring the global/historical in filmic Shakespearean tragedy / Mark Thornton Burnett
• Cross-cultural interpretation : reading Kurosawa reading Shakespeare / Anthony Dawson
• Popular culture : will of the people : recent Shakespeare film parody and the politics of popularization / Douglas Lanier
• Television studies : brushing up Shakespeare : relevance and televisual form / Roberta E. Pearson and William Uricchio
• Remediation : Hamlet among the pixelvisionaries : video art, authenticity and "wisdom" in Almereyda's Hamlet / Peter S. Donaldson

内容説明・目次

巻冊次

: hardcover ISBN 9781405115100

内容説明

This Concise Companion presents a multidisciplinary range of approaches to a vast multimedia subject, Shakespeare on screen. The book's contributors use the latest thinking from cultural studies, communications, and comparative media, in dialogue with literary, theatrical, and filmic approaches, in order to push the field forward. They consider Shakespeare on screen not only as a set of finished products but also as a process. For this reason, the volume is organized around topics such as authorship and collaboration, theatricality, sex and violence, globalization, and history. The Concise Companion offers readers a variety of accessible routes into Shakespeare on screen and supports further study of the subject through the inclusion of a bibliography, a chronological chart, and a thorough index. At the same time, it serves as a focal point for exploring fundamental issues in the study of literature and culture more broadly, such as the relationships between elite and popular culture, art and the marketplace, text, image, and performance.

目次

AcknowledgmentsNotes on ContributorsBiographical noteChronologyIntroduction: Through a Camera, Darkly: Diana E. Henderson (MIT)1. Authorship: Getting Back to Shakespeare: Whose Film is it anyway? Elsie Walker (Salisbury University, Maryland)2. Cinema Studies: 'Thou dost usurp authority': Beerbohm Tree, Reinhardt, Olivier, Welles, and the Politics of Adapting Shakespeare: Anthony R. Guneratne (Florida Atlantic University)3. Theatricality: Stage, screen and nation: Hamlet and the space of history: Robert Shaughnessy (University of Kent)4. The Artistic Process: Learning from Campbell Scott's Hamlet: Diana E. Henderson (MIT)5. Cinematic Performance: Spectacular Bodies: Acting + Cinema + Shakespeare: Barbara Hodgdon (University of Michigan)6. Gender Studies: Shakespeare, Sex and Violence: Negotiating Masculinities in Branagh's Henry V and Taymor's Titus: Pascale Aebischer (University of Exeter)7. Globalization: Figuring the Global/Historical in Filmic Shakespearean Tragedy: Mark Thornton Burnett (Queen's University, Belfast)8. Cross-Cultural Interpretation: Reading Kurosawa Reading Shakespeare: Anthony Dawson (University of British Columbia)9. Popular Culture: Will of the People: Recent Shakespeare Film Parody and the Politics of Popularization: Douglas Lanier (University of New Hampshire)10. Television: Brushing Up Shakespeare: Relevance and Televisual Form: Roberta E. Pearson (University of Nottingham ) and William Uricchio (MIT and Utrecht University)11. Remediation: Hamlet among the Pixelvisionaries: Video Art, Authenticity and 'Wisdom' in Almereyda's Hamlet: Peter S. Donaldson (MIT)Afterword: Unending Revels: Visual Pleasure and Compulsory Shakespeare: Kathleen McLuskie (University of Birmingham Shakespeare Institute at Stratford upon Avon)Select BibliographyIndex

巻冊次

: pbk ISBN 9781405115117

内容説明

This Concise Companion presents a multidisciplinary range of approaches to a vast multimedia subject, Shakespeare on screen. Draws on the latest thinking in cultural studies, communications, and comparative media, in dialogue with literary, theatrical and filmic approaches. Organised around themes, such as authorship and collaboration, theatricality, sex and violence, globalization and history. Offers readers a variety of accessible routes into the subject of Shakespeare on screen. Also enables readers to explore fundamental topics in the study of literature and culture more broadly, such as the relationships between elite and popular culture, art and the marketplace, text and image. Includes suggestions for further reading, a bibliography, a filmography, a chronology and a thorough index.

目次

Acknowledgments vii Notes on Contributors viii Bibliographical Note xi Chronology xii Introduction: Through a Camera, Darkly 1 Diana E. Henderson 1 Authorship: Getting Back to Shakespeare: Whose Film is it Anyway? 8 Elsie Walker 2 Cinema Studies: "Thou Dost Usurp Authority": Beerbohm Tree, Reinhardt, Olivier, Welles, and the Politics of Adapting Shakespeare 31 Anthony R. Guneratne 3 Theatricality: Stage, Screen, and Nation: Hamlet and the Space of History 54 Robert Shaughnessy 4 The Artistic Process: Learning from Campbell Scott's Hamlet 77 Diana E. Henderson 5 Cinematic Performance: Spectacular Bodies: Acting fyfnCinema fyfnShakespeare 96 Barbara Hodgdon 6 Gender Studies: Shakespeare, Sex, and Violence: Negotiating Masculinities in Branagh's Henry V and Taymor's Titus 112 Pascale Aebischer 7 Globalization: Figuring the Global/Historical in Filmic Shakespearean Tragedy 133 Mark Thornton Burnett 8 Cross-Cultural Interpretation: Reading Kurosawa Reading Shakespeare 155 Anthony Dawson 9 Popular Culture: Will of the People: Recent Shakespeare Film Parody and the Politics of Popularization 176 Douglas Lanier 10 Television Studies: Brushing Up Shakespeare: Relevance and Televisual Form 197 Roberta E. Pearson and William Uricchio 11 Remediation: Hamlet among the Pixelvisionaries: Video Art, Authenticity, and "Wisdom" in Almereyda's Hamlet 216 Peter S. Donaldson Afterword: Unending Revels: Visual Pleasure and Compulsory Shakespeare 238 Kathleen McLuskie Select Bibliography 250 Index 253

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詳細情報

• NII書誌ID(NCID): BA75054264
• ISBN:
  • 9781405115117
  • 9781405115100
• LCCN: 2005006592
• 出版国コード: us
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: Malden, Mass.
• ページ数/冊数: xi, [13], 264 p.
• 大きさ: 23 cm
• 分類:
  • LCC : PR3093
  • DC22 : 791.43/6
• 件名:
  • LCSH : Shakespeare, William, 1564-1616 -- Film and video adaptations
  • LCSH : English drama -- Film and video adaptations
  • LCSH : Film adaptations -- History and criticism
• 親書誌ID:
  • BA59484513