The "Unique Cherub" circle : a school of mystics and esoterics in medieval Germany
Author(s)
Bibliographic Information
The "Unique Cherub" circle : a school of mystics and esoterics in medieval Germany
(Texts and studies in medieval and early modern Judaism, 15)
Mohr Siebeck, c1999
- Other Title
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TSMJ 15
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  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
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  United States of America
Note
Includes bibliographical references and indexes
Description and Table of Contents
Description
The main point delivered by this book is that Jews living in Germany during the Middle Ages developped a dynamic and variegated culture which should be recognized as a constituent of European and German medieval religiosity. The esoterics, mystics and pietists who produced works like those analyzed in this volume derived their inspiration from the traditional Jewish texts, but were also part of the world they lived in, despite the seclusions enforced by the religious prejudices of the time. The esoterical-mystical phenomena described were to a very large extent an original development in central-European Jewry, and constitute one of their most important contributions to Jewish culture as a whole. In some cases, a spiritual atmosphere reminiscent of early Protestant sects, which were to appear in the same regions three centuries later, can be discerned. Some of these texts influenced the Christian kabbalists of the sixteenth century, like Johannes Reuchlin and others. This is a major spiritual phenomenon which has been completely neglected until now, and it is hoped that this volume will contribute to a new appreciation of this aspect of European creativity in the Middle Ages.
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