Avant-garde performance & the limits of criticism : approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement
著者
書誌事項
Avant-garde performance & the limits of criticism : approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement
（Theater : theory, text, performance / Enoch Brater, series editor）
University of Michigan Press, c2005
- : cloth
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注記
Originated in the author's dissertation
Includes bibliographical references and index
HTTP:URL=http://www.loc.gov/catdir/toc/ecip0514/2005016628.html Information=Table of contents
内容説明・目次
内容説明
Explores the dynamic interactions of performance, politics, and literary criticism in three U.S. countercultures in the 1950s and 60s This pathbreaking book looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counter-culture. It develops three case studies - the Living Theatre's influential production The Connection, the earliest productions of performance art, and the poetry and plays of the Black Arts Movement - and examines the role of the scholar and critic in the cultural struggles of radical artists and activists. The book also explores the popularization of the avant-garde, when formerly subversive art is discovered by the mass media, gobbled up by the marketplace, and eventually finds its way onto the syllabi of college and university courses.
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