The frame of art : fictions of aesthetic experience, 1750-1815
Author(s)
Bibliographic Information
The frame of art : fictions of aesthetic experience, 1750-1815
（Parallax : re-visions of culture and society）
Johns Hopkins University Press, 2005
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Note
Includes bibliographical references(p.199-251) and index
Description and Table of Contents
Description
Aesthetic experience was problematic for Enlightenment authors. Arguing against the commonly held view that aesthetics in the eighteenth and early nineteenth centuries was defined by the professionalization of criticism and the disinterested contemplation and evaluation of the work of art in isolation, David Marshall seeks to understand how and why aesthetic experience in fact often generated tremendous emotion and tension. Focusing on stories about art told in literary, critical, and philosophical writings, in which art is represented as both powerful and disconcerting, he demonstrates how an aesthetic perspective blurs the boundaries between art and reality rather than separating them. Lucid and erudite, The Frame of Art examines an Enlightenment preoccupation with the pervasive presence of art and aesthetic experience in everyday life.
Viewing a world composed of images, simulacra, copies, reenactments, performances, paintings, and texts, authors and characters describe and enact-in what Marshall describes as a "representation compulsion"-intense experiences of art that are far from the disinterested museum experience typically seen as the endpoint of eighteenth-century aesthetics. These insightful readings of Charlotte Lennox, Jean-Jacques Rousseau, Gotthold Lessing, Lord Kames, Henry Mackenzie, David Hume, Jane Austen, and the theorists of the picturesque trace the dramatization of aesthetic experience and the desire to design one's life as if it were a work of art-a painting, a play, or a novel. Marshall asks what it means for these authors to view the world through the frame of art.
Table of Contents
Introduction: The Problem of Aesthetic Experience
Chapter 1. The Problem of the Picturesque
Chapter 2. The Impossible Work of Art: Kames, Pope, Lessing
Chapter 3. True Acting and the Language of Real Feeling: Mansfield Park
Chapter 4. Fatal Letters: Clarissa and the Death of Julie
Chapter 5. The Business of Tragedy: Accounting for Sentiment in Julia de Roubigne
Chapter 6. Writing Masters and "Masculine Exercises" in The Female Quixote
Chapter 7. Arguing by Analogy: Hume's Standard of Taste
Acknowledgments
Notes
Index
by "Nielsen BookData"