Juan Carlos Onetti, Manuel Puig and Luisa Valenzuela : marginality and gender
Author(s)
Bibliographic Information
Juan Carlos Onetti, Manuel Puig and Luisa Valenzuela : marginality and gender
(Colección Támesis, ser. A ; Monografías ; 219)
Tamesis, 2005
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [176]-181) and index
Description and Table of Contents
Description
Onetti, Puig and Valenzuela, writers linked by their common geography and history, share and explore a post-colonial emptiness, a constant questioning of realism and a love of tango.
Onetti, Puig and Valenzuela have not had the same level of international acclaim as Borges, Garcia Marquez or Vargas Llosa, but they are equally intellectually challenging, and their work adds much to the breadth and depth of twentieth-century Latin American literature.
This book starts with Onetti's first novella, the intricate, fragmented El pozo, and finishes with Valenzuela's Cola de lagartija, a strange, quasi-baroque work of darkhumour and powerful political overtones. It has separate sections on each of the three writers, which balance close readings of selected passages with tightly woven theoretical analysis. The fact that this set of texts is from a specific time and place, the Cono Sur from 1939 to 1983, gives the work intellectual coherence; and it is methodologically consistent in its use of a set of co-ordinates from, amongst other sources, psychoanalytic and feminist theory, from Lacan, Irigaray and Kristeva, which are integrated into the vision of the novels as they are analysed.
Onetti, Puig and Valenzuela are seldom viewed together, but Craig argues that their common geography and historyare crucial, and that these particular writers share and explore in their work a post-colonial emptiness, a constant questioning of realism and a love of tango.
LINDA CRAIG is Senior Lecturer in Hispanic Studies at the University of East London.
by "Nielsen BookData"