Magnum stories
著者
書誌事項
Magnum stories
Paidon Press, 2004
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
Magnum Stories is a collection of the best photo stories produced by the photographers of Magnum.
Through the work of key Magnum photographers - including Henri Cartier-Bresson, Robert Capa, Eugene Richards, Martin Parr, Inge Morath and Leonard Freed - this book covers a wide range of subjects, from the Vietnam War to student protests in Tiananmen Square, Fidel Castro overthrowing the Cuban dictator in 1959, Picasso, Malcolm X, the French theatre group Theatre du Soleil, the US invasion of Grenada in the early 1980s, the New York police, Apartheid and Buddhism. This momentous compilation combines war photography, documentary, photojournalism, social realism, portraits of people and places, fashion and news. 61 Magnum photographers are featured, each of whom is represented across eight pages by a fully illustrated photo story of their choice, and a text composed from the photographer's perspective and based directly on interviews.
The texts are sophisticated and idiosyncratic - each with its own distinctive voice and style - yet accessible and engaging to read. They reveal strikingly diverse perceptions and approaches to the practice and philosophy of photography: What is the photo story? What does it mean? How did it come into being, and why? The questions raised are endless; each answer given is more arresting than the last.
As well as featuring the work of individual photographers, this landmark book embodies a rigorous interrogation of the form of the photo story itself as the key vehicle for photography in the twentieth century. The in-depth introduction brings this essential form to life: from its earliest developments in the 1930s, through the 'death of photojournalism', to its multi-faceted and multiplying manifestations today. The sweeping scope of Magnum Stories explores, with passion and erudition, the various influences that have defined the photo story as its own genre, spanning key twentieth-century events and the life of photographic magazines such as Newsweek, Time and Paris Match.
An unprecedented reflection of the course of the twentieth-century and the opening of the twenty-first - all through the lens of a camera on the go - this book is an intellectual, historical and aesthetic tour de force.
目次
- Introduction by Chris Boot - discusses the photo story in general, examines key themes and provides historical analysis (c.5,000 words)
- c.60 texts and photo stories presented in A to Z order photographer by photographer, each titled according to the subject of the story and with commentary (c.130,000 words)
- Historical chronology presenting key moments in the development of the photo story, and key moments in the history of Magnum (c.5,000 words)
- Brief biographies of photographers (c.6,000 words)
- Index.
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