The anthropology of art : a reader

著者

書誌事項

The anthropology of art : a reader

edited by Howard Morphy and Morgan Perkins

（Blackwell anthologies in social and cultural anthropology）

Blackwell, 2006

  • : pbk
  • : hardcover

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注記

Includes bibliographical references and index

内容説明・目次

巻冊次

: hardcover ISBN 9781405105613

内容説明

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers' appreciation of the aesthetics of art and of the important role it plays in human society.

目次

Acknowledgments. Introduction: The Anthropology of Art: A Reflection on Its History and Contemporary Practice: Howard Morphy and Morgan Perkins. Part I: Framing the Discipline:. Introduction. 1. Primitive Art: Franz Boas. 2. Split Representation in the Art of Asia and America: Claude Levi-Strauss. 3. Tribes and Forms in African Art: William Fagg. 4. Style, Grace, and Information in Primitive Art: Gregory Bateson. 5. Tikopea Art and Society: Raymond Firth. 6. The Abelam Artist: Anthony Forge. Part II: Primitivism and Art/Artifact:. Introduction. 7. Introduction. In "Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern: William Rubin. 8. "Primitivism" in 20th Century Art: Arthur C. Danto. 9. Histories of the Tribal and the Modern: James Clifford. 10. A Case in Point: Sally Price. 11. Oriental Antiquities/Far Eastern: Craig Clunas. 12. Introduction. In ART/Artifact: Susan Vogel. 13. Vogel's Net: Traps as Artworks and Artworks as Traps: Alfred Gell. Part III: Aesthetics Across Cultures:. Introduction. 14. Yoruba Artistic Criticism: Robert Farris Thompson. 15. Style in Technology: Some Early Thoughts: Heather Lechtman. 16. "Marvels of Everyday Vision": The Anthropology of Aesthetics and the Cattle-Keeping Nilotes: Jeremy Coote. 17. From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu: Howard Morphy. Part IV: Form, Style and Meaning:. Introduction. 18. Visual Categories: An Approach to the Study of Representational Systems: Nancy D. Munn. 19. Structural Patterning in Kwakiutl Art and Ritual: Abraham Rosman and Paula G. Rubel. 20. Sacred Art and Spiritual Power: An Analysis of Tlingit Shaman's Masks: Aldona Jonaitis. 21. To Weave and Sing: Art, Symbol, and Narrative in the South American Rain Forest: David M. Guss. 22. Modernity and the "Graphicalization" of Meaning: New Guinea Highland Shield Design in Historical Perspective: Michael O'Hanlon. Part V: Marketing Culture:. Introduction. 23. Introduction. In Ethnic and Tourist Arts: Cultural Expressions of the Fourth World: Nelson H. H. Graburn. 24. The Collecting and Display of Souvenir Arts: Authenticity and the "Strictly Commercial": Ruth B. Phillips. 25. The Art of the Trade: The Creation of Value and Authenticity in the African Art Market: Christopher B. Steiner. Part VI: Contemporary Artists:. Introduction. 26. A Second Reflection: Presence and Opposition in Contemporary Maori Art: Nicholas Thomas. 27. Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings: Fred Myers. 28. Aesthetics and Iconography: An Artists Approach: Gordon Bennett. 29. Kinds of Knowing: Charlotte Townsend-Gault. 30. CEW ETE HAW I TIH: The Bird That Carries Language Back to Another: Jolene Rickard. Index
巻冊次

: pbk ISBN 9781405105620

内容説明

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers' appreciation of the aesthetics of art and of the important role it plays in human society.

目次

Acknowledgments viii About the Editors x The Anthropology of Art: A Reflection on its History and Contemporary Practice 1 Howard Morphy and Morgan Perkins Part I Foundations and Framing the Discipline 33 1 Primitive Art 39 Franz Boas 2 Split Representation in the Art of Asia and America 56 Claude Levi-Strauss 3 Introduction to Tribes and Forms in African Art 74 William Fagg 4 Style, Grace, and Information in Primitive Art 78 Gregory Bateson 5 Tikopia Art and Society 91 Raymond Firth 6 The Abelam Artist 109 Anthony Forge Part II Primitivism, Art, and Artifacts 123 7 Modernist Primitivism: An Introduction 129 William Rubin 8 Defective Affinities: ''Primitivism'' in 20th Century Art 147 Arthur C. Danto 9 Histories of the Tribal and the Modern 150 James Clifford 10 A Case in Point and Afterwords to Primitive Art in Civilized Places 167 Sally Price 11 Oriental Antiquities/Far Eastern Art 186 Craig Clunas 12 Introduction to Art/Artifact: African Art in Anthropology Collections 209 Susan Vogel 13 Vogel's Net: Traps as Artworks and Artworks as Traps 219 Alfred Gell Part III Aesthetics across Cultures 237 14 Yoruba Artistic Criticism 242 Robert Farris Thompson 15 Style in Technology: Some Early Thoughts 270 Heather Lechtman 16 ''Marvels of Everyday Vision'': The Anthropology of Aesthetics and the Cattle-keeping Nilotes 281 Jeremy Coote 17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu 302 Howard Morphy Part IV Form, Style, and Meaning 321 18 Visual Categories: An Approach to the Study of Representational Systems 326 Nancy D. Munn 19 Structural Patterning in Kwakiutl Art and Ritual 339 Abraham Rosman and Paula G. Rubel 20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans' Masks 358 Aldona Jonaitis 21 All Things Made 374 David M. Guss 22 Modernity and the ''Graphicalization'' of Meaning: New Guinea Highland Shield Design in Historical Perspective 387 Michael O'Hanlon Part V Marketing Culture 407 23 Arts of the Fourth World 412 Nelson H. H. Graburn 24 The Collecting and Display of Souvenir Arts: Authenticity and the ''Strictly Commercial'' 431 Ruth B. Phillips 25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market 454 Christopher B. Steiner Part VI Contemporary Artists 467 26 A Second Reflection: Presence and Opposition in Contemporary Maori Art 472 Nicholas Thomas 27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings 495 Fred Myers 28 Aesthetics and Iconography: An Artist's Approach 513 Gordon Bennett 29 Kinds of Knowing 520 Charlotte Townsend-Gault 30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another 544 Jolene Rickard Index 549

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