Handel : Water music and Music for the royal fireworks
著者
書誌事項
Handel : Water music and Music for the royal fireworks
(Cambridge music handbooks)
Cambridge University Press, 2005
- : pbk
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
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  オランダ
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注記
Includes bibliographical references (p. 143-146) and index
Appendix: Sources of shared material: p. 132-134
内容説明・目次
内容説明
This handbook covers Handel's best known public music, the Water Music, written at the outset of his English career, and the Music for the Royal Fireworks, the last and largest of his orchestral creations. The genesis of these two orchestral suites is examined in its political as well as musical context; practical questions of performance style and interpretation are balanced by an enquiry into Handel's compositional processes, and the relationship of his other large-scale orchestral compositions, especially the Concerti a due cori, to these suites. Original source material is set alongside the most recent theories on Handel's character and working methods. In particular the problem of 'borrowings' is addressed with reference to most recent identifications of Handel's sources, together with the later presentation of these works in the nineteenth and twentieth centuries, with an account of recordings, editions and a summary of performance questions.
目次
- Preface
- 1. The character of the man
- 2. Politics and power
- 3. Water Music
- 4. The 'indebtedness' of Handel
- 5. The Concerti a due cori
- 6. Politics and peace
- 7. Music for the Royal Fireworks
- 8. Handel in other hands
- 9. Performance parameters
- Appendix: Sources of shared material
- Notes
- Select bibliography
- Index.
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