The age of Giotto, 1280-1400
著者
書誌事項
The age of Giotto, 1280-1400
(Italian frescoes)
Abbeville Press, c2005
1st ed
- タイトル別名
-
Wandmalerei der Giottozeit in Italien, 1280-1400
大学図書館所蔵 全20件
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  福岡
  佐賀
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注記
Includes bibliographical references (p. 443-451) and indexes
内容説明・目次
内容説明
Following the success of the previous volumes in this extraordinary series - Italian Frescoes: The Early Renaissance; Italian Frescoes: The Flowering of the Renaissance; and Italian Frescoes: The High Renaissance and Mannerism - Italian Frescoes: The Age of Giotto presents twenty-two outstanding fresco cycles. Created during the late thirteenth and early fourteenth centuries, these cycles set new standards for painting and an innovative vision of man, paving the way for the monumental achievements of the Renaissance. It was at this time that fresco painting was not only commissioned for churches and chapels, but also for such secular places as town halls and royal residences with humanist in addition to religious themes. The fresco cycles featured here include brilliant works by Giotto in Assisi, Padua, and Florence; dramatic paintings by Cimabue, thought to be GiottoGCOs teacher; Pietro Cavillini in Rome; and the Sienese artists Simone Martini and Pietro and Ambrogio Lorenzetti - all of these works still visible on walls and ceilings of palaces and churches spanning Italy from the Veneto to Rome.
The authors describe and illustrate such celebrated sites as the Church of Saint Francis in Assisi, the Chapel of the Scrovegni in Padua, the Public Palace in Siena, and the papal chapel, the Sancta Sanctorum, in Rome. Each of the twenty-two chapters is concise and authoritative, offering a descriptive and interpretive essay on all aspects of fresco painting, covering the artists and their patrons in the context of their cultural and political history. Each essay concludes with a diagram of the site, followed by a series of full- and double-page color plates showing the entire cycle, many reproduced from new photographs of recently restored frescoes. No publisher until now has attempted to gather together and document all the important fresco cycles of Italian art from the late thirteenth to the seventeenth centuries. While this volume is the predecessor to the previous books, Italian Frescoes: The Age of Giotto easily stands alone as a masterpiece of art and scholarship which will be welcomed by art historians and art lovers alike.
目次
PREFACE INTRODUCTION On the Perception and Effect of Images in the Age of Giotto Giotto's Fame Tradition and a New Beginning: Rome and Assisi Commissions and Themes after 1300 Patrons and Artists THE CYCLES OF PAINTINGS Assisi SAN FRANCESCO UPPER CHURCH AND LOWER CHURCH The Construction of San Francesco and the First Phase of Its Decoration Cimabue Plates 1--9 The Decoration of the Nave of the Upper Church: From Torriti to the First Appearance of Giotto The Legend of Saint Francis: Giotto Plates 10--48 Continuation of the Decoration of the Lower Church The Crossing Vault: Giotto Plates 49--59 The Passion Cycle in the Western Arm of the Lower Church Transept: Pietro Lorenzetti Plates 60--68 The Saint Martin Chapel: Simone Martini Plates 69--79 Rome SANCTA SANCTORUM Plates 80--88 Rome SANTA CECILIA IN TRASTEVERE: PIETRO CAVALLINI Plates 89--97 Padua ARENA CHAPEL (CAPPELLA DEGLI SCROVEGNI): GIOTTO Plates 98--128 Florence SANTA CROCE, PERUZZI AND BARDI CHAPELS: GIOTTO Plates 129--147 Florence SANTA CROCE, BARONCELLI CHAPEL: TADDEO GADDI Plates 148--158 Florence SANTA CROCE, BARDI DI VERNIO CHAPEL: MASO DI BANCO Plates 159--165 Siena PALAZZO PUBBLICO, SALA DEL CONSIGLIO (SALA DEL MAPPAMONDO): SIMONE MARTINI The Maesta Guidoriccio da Fogliano Plates 166--172 Siena PALAZZO PUBBLICO, SALA DEI NOVE: AMBROGIO LORENZETTI Plates 173--185 San Gimignano COLLEGIATA SANTA MARIA ASSUNTA: LIPPO MEMMI (?) Plates 186--190 Pisa CAMPOSANTO: BUFFALMACCO Plates 191--201 Florence SANTA MARIA NOVELLA, STROZZI CHAPEL: NARDO DI CIONE Plates 202--208 Florence SANTA CROCE, RINUCCINI CHAPEL: GIOVANNI DA MILANO Plates 209--215 Florence SANTA MARIA NOVELLA, FORMER CHAPTER HOUSE (SPANISH CHAPEL): ANDREA DI BONITO Plates 216--228 Florence SANTA CROCE, CHANCEL CHAPEL: AGNOLO GADDI Plates 229--235 Florence SAN MINIATO AL MONTE, SACRISTY: SPINELLO ARETINO Plates 236--242 Padua BAPTISTERY: GIUSTO DE' MENABUOI Plates 243--251 Padua SAINT GEORGE CHAPEL: ALTICHIERO Plates 252--262 Illustration Credits Inscriptions and Legends Bibliography Index
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