Lourdes Portillo : The devil never sleeps and other films
著者
書誌事項
Lourdes Portillo : The devil never sleeps and other films
(Chicana matters series)
University of Texas Press, 2001
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes three interviews with Lourdes Portillo
Includes bibliographical references (p. 300-311), filmography (p. 296) and index
HTTP:URL=http://www.loc.gov/catdir/description/texas041/00061516.html Information=Publisher description
内容説明・目次
内容説明
Filmmaker Lourdes Portillo sees her mission as "channeling the hopes and dreams of a people." Clearly, political commitment has inspired her choice of subjects. With themes ranging from state repression to AIDS, Portillo's films include: Despues del Terremoto, the Oscar-nominated Las Madres: The Mothers of the Plaza de Mayo,La Ofrenda: The Days of the Dead,The Devil Never Sleeps, and Corpus: A Home Movie for Selena.
The first study of Portillo and her films, this collection is collaborative and multifaceted in approach, emphasizing aspects of authorial creativity, audience reception, and production processes typically hidden from view. Rosa Linda Fregoso, the volume editor, has organized the book into three parts: interviews (by Fregoso and Kathleen Newman and B. Ruby Rich); critical perspectives (essays by Fregoso, Yvonne Yarbro-Bejarano, Sylvie Thouard, Norma Iglesias, and Barbara McBane); and production materials (screenplays, script notes, storyboards, etc.).
This innovative collection provides "inside" information on the challenges of making independent films. By describing the production constraints Portillo has surmounted, Fregoso deepens our appreciation of this gifted filmmaker's life, her struggles, and the evolution of her art.
目次
Acknowledgments
Introduction: Tracking the Politics of Love
Part One: The Woman Behind the Camera
Introduction
1. Interview with Lourdes Portillo (1998): Rosa Linda Fregoso
2. Interview with Lourdes Portillo (1994): Rosa Linda Fregoso
3. Interview with Lourdes Portillo (1990): Kathleen Newman and B. Ruby Rich
Part Two: Critical Perspectives
Introduction
4. Devils and Ghosts, Mothers and Immigrants: A Critical Retrospective of the Works of Lourdes Portillo: Rosa Linda Fregoso
5. Ironic Framings: A Queer Reading of the Family (Melo)drama in Lourdes Portillo's The Devil Never Sleeps/El diablo nunca duerme: Yvonne Yarbro-Bejarano
6. Performances of The Devil Never Sleeps/El diablo nunca duerme: Sylvie Thouard
7. Who is the Devil, and How or Why Does He or She Sleep? Viewing a Chicana Film in Mexico: Norma Iglesias Prieto
8. Pinning Down the Bad-Luck Butterfly: Photography and Identity in the Films of Lourdes Portillo: Barbara McBane
Part Three: Production Materials
Introduction
9. Script notes for Despues del terremoto
10. Cast List for Despues del terremoto
11. Funding application for Despues del terremoto
12. Letter for Oscar Nomination of Las Madres: The Mothers of the Plaza de Mayo
13. Transcript for English and Spanish narration of La Ofrenda: The Days of the Dead
14. Transcript for interviews in La Ofrenda
15. Screenplay for Columbus on Trial
16. Floor plans for set design of Columbus on Trial
17. Storyboard for Columbus on Trial
Appendix: ?Quien es el diablo, como y por que duerme? La lectura de una pelicula chicana en Mexico: Norma Iglesias Prieto
Filmography
Awards and Honors
Notes
Notes on Contributors
Index
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