Documentary screens : non-fiction film and television
Author(s)
Bibliographic Information
Documentary screens : non-fiction film and television
Palgrave Macmillan, 2004
- : hardback
- : pbk
Available at 8 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 250-268) and index
HTTP:URL=http://www.loc.gov/catdir/bios/hol059/2004042736.html Information=Contributor biographical information
HTTP:URL=http://www.loc.gov/catdir/description/hol053/2004042736.html Information=Publisher description
HTTP:URL=http://www.loc.gov/catdir/toc/hol052/2004042736.html Information=Table of contents
Description and Table of Contents
Description
Documentary productions encompass remarkable representations of surprising realities. How do documentaries achieve their ends? What types of documentaries are there? What factors are implicated in their production? Such questions animate this engaging study. Documentary Screens is a comprehensive and critical study of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so-called popular factual entertainment and the future of documentary film, television and new media. This provocative and accessible analysis situates wide-ranging examples from each category within the larger material forces which impact on documentary form and content. The important connection between form, content and context explored in the book constitutes a new and lively 'documentary studies' approach to documentary representation.
Table of Contents
Acknowledgements.- Introduction.- 'Believe Me, I'm of the World': Documentary Representation.- Men with Movie Cameras: Flaherty and Grierson.- Constructing and Contesting Otherness: Ethnographic Film.- Decolonizing the Image: Aboriginal Documentary Productions.- The Truth of the Matter: Cinema Verite and Direct Cinema.- The Camera I: Autobiographical Documentary.- Finding and Keeping: Compilation Documentary.- The Fact/Fiction Divide: Drama-Documentary and Documentary Drama.- The Evening Report: Television Documentary Journalism.- Up Close and Personal: Popular Factual Entertainment.- The Burning Question: The Future of Documentary.- Conclusion.- Screenings and Additional Resources.- Notes.- Bibliography.- Index.
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