East European cinemas
著者
書誌事項
East European cinemas
(AFI film readers)
Routledge, 2005
- : hardcover
- : softcover
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Eastern Europe has produced rich and varied film cultures--Czech, Hungarian, and Serbian among them-whose histories have been intimately tied to the transition from Soviet domination to the complexities of post-Communist life. This latest volume in the AFI Film Readers series presents a long-overdue reassessment of East European cinemas from theoretical, psychoanalytic, and gender perspectives, moving the subject beyond the traditional area studies approach to the region's films. This ambitious collection, situating Eastern Europe's many cinemas within global paradigms of film study, will be an essential work for all students of cinema and for anyone interested in the relation of film to culture and society.
目次
Anik Imre, Introduction: East European Cinemas in New Perspectives PART 1: Gender Identity and Representation 1. Katarzyna Marciniak, Second Worldness and Transnational Feminist Practices: Agnieszka Holland's A Woman Alone 2. Marguerite Waller, What's in Your Head: 'History' and 'Nation' in Ibolya Fekete's Bolse vita and Ghetto Art's Making the Walls Come Down 3. Tomislav Z. Longinovic, Playing the Western Eye: Balkan Masculinity and Post-Yugoslav-War Cinema 4. El?bieta H. Oleksy, The Politics of Representing Gender in Post-World War II Polish Cinema and Visual Art 5. Petra Hanakova, Voices from Another World: Feminine Space and Masculine Intrusion in Sedmikrasky and Vrazda ing. Certa. PART 2: (Post)modernist Continuities 6. Melinda Szaloky, Somewhere in Europe: Exile and Orphanage in Post-World War II Hungarian Cinema 7. Dusan Bjelic, Global Aesthetics and the Serbian Cinema of the 1990s 8. Catherine Portuges, Traumatic Memory, Jewish Identity: Remapping the Past in Hungarian Cinema 9. Peter Hames, The Ironies of History: The Czech Experience 10. Andras Balint Kovacs, Gabor Body: Precursor of the Digital Age 11. Agnes Pethoe, Chaos, Intermediality, Allegory: The Cinema of Mircea Daneliuc PART 3: Regional Visions 12. KrissRavetto-Biagioli, Reframing Europe's Double Border 13. Roumiana Deltcheva, Reliving the Past in Recent East European Cinemas 14. Christina Stojanova, Fragmented Discourses: Young Cinema from Central and Eastern Europe 15. Dina Iordanova, The Cinema of Eastern Europe: Strained Loyalties, Elusive Clusters
「Nielsen BookData」 より