The substance of things heard : writings about music
Author(s)
Bibliographic Information
The substance of things heard : writings about music
（Eastman studies in music）
University of Rochester Press, 2005
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Note
Erratum slip inserted
Includes bibliographical references and discography (p. [347]-349) and index
Description and Table of Contents
Description
A choice selection of essays, reviews and interviews providing insights into musical performance, composition in the late 20th century and very early 21st, and the nature of opera.
Paul Griffiths offers his own personal selection of some of his most substantial and imaginative articles and concert reviews from over three decades of indefatigable concertgoing around the world. He reports on premieres and other important performances of works by such composers as Elliott Carter, Sofia Gubaidulina, Karlheinz Stockhausen, and Steve Reich, as well as Harrison Birtwistle and other important British figures.
Griffiths vividly conveys the vision, aura, and idiosyncrasies of prominent pianists, singers, and conductors [such as Herbert von Karajan], and debates changing styles of performing Monteverdi and Purcell. A particular delight is his response to the worldof opera, including Debussy's Pelleas et Melisande [six contrasting productions], Pavarotti and Domingo in Verdi at New York's Metropolitan Opera, Schoenberg's Moses and Aaron, and two wildly different Jonathan Miller versions of Mozart's Don Giovanni.
From the author's preface: "We cannot say what music is. Yet we are verbal creatures, and strive with words to cast a net around it, knowing most of this immaterial stuff will evadecapture. The stories that follow cover a wide range of events over a period of great change. Yet the net's aim was always the same, to catch the substance of things heard.
"Criticism has to work largely by analogy and metaphor. This is no limitation. It is largely through such verbal ties that music is linked to other sorts of experience, not least the natural world and the orchestra of our feelings."
Paul Griffiths's reviews and articleshave appeared extensively in both Britain [Times, Financial Times, Times Literary Supplement] and the United States [New Yorker, New York Times]. He has written numerous books on Bartok, Cage, Messiaen, Boulez, Maxwell Davies, twentieth-century music, opera, and the string quartet, and is the author of the recent Penguin Companion to Classical Music. He is also author of The Sea on Fire: Jean Barraque.
Table of Contents
A Debut
Berio
Paths to Montsalvat
Carter
Da lontano
Gubaidulina
A Handful of Pianists
Purcell
Around New York
Tippett
Being in Assisi
Boulez
The Composer's Voice
Mozart 1991
A Decade of Don Giovannis
Henze
Operatic Passions
Vivier
At the Movies
Schoenberg on the Stage
Five British Composers
Lachenmann
Mapping Mtsensk
Stockhausen
Behind the Rusting Curtain
Verdi at the Met
A Quintet of Singers
Schnittke
How It Was, Maybe
Reich
Tracks in Allemonde
Birtwistle
A Departure
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